A Story of Tejanos and Their Music
Uploaded by hecma on May 06, 2007
“A Story of Tejanos and Their Music”
Imagine driving through South Texas. As you pass through the small towns, countryside, the cities of Austin and San Antonio and head towards the border, you are swallowed by a culture so colorful and proud. Tejano is not only by definition Mexican American music, it is a term used to describe the people, the food and the traditions. Mexicans migrated to Texas and worked hard. They struggled with discrimination, starting a new, and being away from their homeland. As Tejanos moved further north they not only brought their families, they brought their culture. A life style that consisted of Mexican traditions that after time, began to blend with American and European customs. As these traditions began to fuse together we gain an interesting outcome, Tejano music. The traditional music of Mexico is Rancheras. This genre of music consists of lyrics that include love, patriotism and nature. The word Ranchera is derived from Rancho because it came from the rural countryside of Mexico. In the movie “Songs of a homeland” they use Lydia Mendoza as an example of a popular Ranchera musician. Lydia Mendoza was popular during the 1930’s and was one of the first women to be recorded. She was known as “the singer of the poor.” This traditional music was a big influence on the Mexicans that migrated to Texas. Through Rancheras, Conjunto music was born. Rancheras were passed from generation to generation. As New Tejanos became homesick it was only expected for the songs that reminded them of their roots to follow them. As time passed and the population in Texas grew, new influences began to fill the land and impact the existing cultures. Conjunto music was created from the European soft styles and the music from northern Mexico. The influence of instruments like the button accordion from German settlers made quite an impression on Tejano music. Accordion music is community based, which was perfect because Tejano was fan based in a fan driven market. Two popular musicians were the “Father of Conjunto”, Narciso Martinez and master accordion player, Valerio Longoria. Promoters would take the groups to where the people were. The fields were the stage and the migrant workers the audience. Music was not recorded very much in the 40’s so it worked out well. It was very common for Tejano bands to travel throughout south Texas playing for...