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Essays 241 - 270

Types of Art Forms

are mediums that are used for both works of fiction or art or as devices to convey messages. However, artistic works of fiction al...

German Expressionism in Cinema

early years of the century. George Albert Smith was the first to experiment with composing scenes from individual shots and camera...

Comparing Stage and Film Versions of Othello

the audience a close up of Othellos face and the audience is able to watch the doubt creep over Othellos face. Without saying anyt...

Auteur Theory and Art Cinema

it is quite obviously going to have a lot of action throughout the film. However, too much action and the theme and characterizati...

Hitchcock's Use of Mise en Scene in Rear Window and Vertigo

lends great insight into the cinematic development of any film, especially the films of Hitchcock. In his movies, every shot has ...

An Analysis of Three Classic Films From the Mid-Twentieth Century

politics. Gore Vidal wrote the screenplay, as well as the original Broadway play on which the movie is based. Vidal was friends wi...

Film Noir Techniques in the Film, Kiss Me Deadly

flag down a car, but no one stops. Desperate, she positions herself in the middle of the road while holding her arms outstretched ...

Feminist Cinema and Psychology

political insights that can be gleaned from any motion picture. The major differences between a journalistic approach to a movie c...

Film Noir Genre

be made about film noir and its enduring popularity is that it strikes a chord at the depth of nearly every viewer. Film noir focu...

Stage and Screen Adaptations of Hamlet by William Shakespeare

identity. It is interesting to note that as he pulls on his "cloak of madness" that his true intellect becomes completely clouded ...

Cinema and Aristotelian Considerations

In a paper consisting of five pages the cinematic adaptations of Who's Afraid of Virginia Woolf, Much Ado About Nothing, and Sween...

Movies and How the Dracula Character Has Evolved

Transylvanian aristocrat remained unchallenged for nearly twenty-seven years, and it was not until 1958, when the British actor Ch...

Post First World War Hollywood Studio Dominance

In twelve pages this paper considers the global cinematic dominance of the Hollywood studio system after the First World War. Nin...

Hollywood Cinema, False Depiction of Women and the Subtle Sexism

sexually aggressive. In my own opinion, Mildred Pierce, Jezebel, The Postman Always Rings Twice-these were great tragedies about w...

Andrei Tarkovsky's Cinematic Poetry

This in-depth research paper puts forth the argument that the films of director Andrei Tarkovsky are best seen as cinematic poetry...

Comedy in Cinema, From Charlie Chaplin To Woody Allen

This paper addresses the growth of cinematic comedy. The author covers major works by Charlie Chaplin, The Three Stooges, Buster ...

Roots of Avant Garde's Visual Arts

In eight pages the roots of avant garde regarding film are argued to be in the visual arts as opposed to the narrative cinematic t...

1968 Film Romeo and Juliet by Franco Zeffirelli

In three pages this paper examines the filmmaker's various cinematic techniques and include elements such as utilizing teenage act...

Apocolypse Now Film by Director Francis Ford Coppola

In five pages this paper considers the film's parallels with Heart of Darkness by Joseph Conrad and also discusses influences of T...

Charlie Chaplin's Life and Cinematic Contributions

In thirty pages this paper discusses the controversial actor and director's life, cinematic contributions, politics, and the legac...

Twentieth Century Art of Cinema

In eight pages this report presents examines of twentieth century cinematic artistry. Four sources are cited in the bibliography....

Cinema and the Depiction of African Americans III

In eight pages this paper discusses the cinematic portrayal of African Americans with stereotype reliance a primary emphasis. Ele...

Worldwide Environment and American Film Performers

is particularly evident in the spread of American culture seemingly to the far corners of the globe (Eslake 61). On practically e...

Cinematic Classification of Documentaries, Comedies, and Dramas

expectations of the movies plot. The believability of characters is directly proportionate to the credibility of the plot. If a ...

Film Dramatizations of Geoffrey Chaucer's The Canterbury Tales

In six pages this research paper discusses 2 cinematic interpretations of The Canterbury Tales and argues that how filmmakers fail...

Novel and Cinematic Versions of A Passage to India by E.M. Forster

In four pages the novel and its film adaptation are thematically compared in terms of cinematic changes that were made. Six sourc...

Jean Luc Godard's Unconventional Cinematic Style

of capitalism, he looked for a medium which would best provide a creative outlet, as well as indulge in his interest in philosophy...

Contemporary Perspectives on Romeo and Juliet by William Shakespeare

In five pages this paper examines the contemporary perspectives represented in the 1996 cinematic interpretation of William Shakes...

Films My Darling Clementine and Now Voyager and Their Representations of Class and Gender

In ten pages these cinematic melodramas of the Forties are examined in a discussion of meaning construction through class and gend...

3 Perspectives on Julius Caesar by Plutarch, William Shakespeare, and Joseph L. Mankiewicz

In six pages this paper discusses how Plutarch and Shakespeare presented Julius Caesar in comparison to Joseph L. Mankiewicz's 195...