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Alfred Hitchcock's Psycho, Neil Jordan's The Crying Game, and Male Identity

out Dil, Jodys girlfriend. Ironically, painfully, and even humorously, Dil is actually a man (Hooper 43). It is worth noting t...

Irish Filmmaker Neil Jordan

puzzle understand that they are nearly always involved in the penetration of a seemingly depthless surface of one person. However...

"Psycho" with Reference to Walters

between them by the feelings they evoke in us. Walters writes that tension is one of the most important barometers of audience res...

Hitchcock/Psycho & Shadow of a Doubt

the nature of good and evil. In "Shadow," there are the two "Charlies," Uncle Charlie and his niece, Charlotte, who is known as "C...

Psychoanalytic View of Alfred Hitchcock's 1960 Film Psycho

film manipulates the audience at every turn, so that the audience is compelled to examine their own sympathies and perspective. ...

Rear Window, Vertigo, and Psycho Films by Alfred Hitchcock

of eyes, camera angles (such as the shower scene), and a real solid play on the psychological. Norman Bates is, perhaps first a...

Fact or Fiction in the Life and Film Adaptations of Michael Collins

the boundaries of Eire. While Jordans film begins amidst the political turmoil of Ireland in 1916, with Jordan at the center of t...

Hitchcock/Rear Window & North by Northwest

film. More credits fall and slide into place, which foreshadows how Thornhill will later slide, nearly falling off the face of Lin...

The Social Construction of Gender and M. Butterfly

homosexual, while others are only attracted to someone of the opposite sex. M. Butterfly is not the only film to confront...

Narrative Construction in “Rear Window”

ultimately meaningless and pointless. An audience member, however, wants to understand whats happening, and uses a film narrative ...

Analysis of Hitchcock's Vertigo

falling Madeleine from her apartment to a flower shop, to a Spanish mission where she visits the grave of Carlotta Valdes, and to ...

Hitchcock’s Auteur Vision: “Rear Window”

they were in the wrong place at the wrong time. In The Birds, for instance, Melanie (Tippi Hedren) pursues Mitch (Rod Taylor), a m...

Expressionism in Film

rolling down a hillside and coming ominously to rest" (Morris, 2000). Following the template set by Caligari, Lang also delves int...

The Disturbing Worldview of Alfred Hitchcock

the side of the road in the midst of miles of cornfields. It is a bright, sunny afternoon and the prairie seems benign after the c...

Alfred Hitchcock's Film The Birds

In five pages this paper examines how man's abuse of nature has dire consequences in Alfred Hitchcock's 1963 film The Birds. Four...

Psycho Film Critically Analyzed

In thirteen pages Alfred Hitchcock's 1960 suspense masterpiece is analyzed in terms of effect, form, and function with a cinematic...

A Review and Analysis of the Film, North By Northwest

This paper analyzes and reviews Alfred Hitchcock's 1959 classic film, North by Northwest. This two page paper has one source list...

1930 to 1949 British Film and the Connection Between Realism and Melodrama

In eight pages this paper examines the connection between realism and melodrama that existed in British cinema during this time pe...

1930s and 1940s' British Cinema and its Heterogeneous Mix

In seven pages the heterogeneity of such British films of the period as Alfred Hitchcock's 1938 The Lady Vanishes and Zoltan Korda...

Character of Melanie in Alfred Hitchcock's Film The Birds

Mitch, a man completely under the control of his mother. But, we really do not necessarily believe that Melanie wants this man. Sh...

Rear Window Film and Feminist Theories of Cinema

the director and the male filmgoer) receive a sexual thrill from watching the victimization of women (Williams 706). As one of th...

Essays on Alfred Hitchcock's Rear Window, Video, and TV

at a blackboard writing words. As soon as he completes the "d" in the last word the tape is over. The running time for the tape is...

The Secret History by Donna Tartt, Alfred Hitchcock's Rope and Education

who do not know how to live life and are brainwashed by books and academia" (Chan). In essence, the professor understands the more...

Alfred Hitchcock's Genius

his cinematic apprenticeship working for British studios - working first as an artist, set designer and directors assistant before...

Spectator in Alfred Hitchcock's Film Rear Window

action shot at a car race. To rely on an old clich?, he is "bored to tears." He spends most of his convalescent time sitting at th...

Mise en Scene in Alfred Hitchcock's Film Vertigo

know the woman, named Madeline, he falls in love with her. However, Madeline succeeds in committing suicide and Scotty is helpless...

Cinematography in the Opening Scene of Alfred Hitchcock's Rear Window

In five pages this paper discusses Rear Window by director Alfred Hitchcock in an analysis of its opening scene cinematography. F...

An Analysis of Alfred Hitchcock's Film Rear Window

In five pages this research paper considers how voyeurism is depicted in this 1954 suspense thriller particularly as it relates to...

Evil in Alfred Hitchcock's Films Rope and North by Northwest

the most louche, laidback villains in screen history" (Brooke, 2005, PG) emphasises Thornhills naivety as far as espionage and mur...

Comparative Analysis of Alfred Hitchcock's Film Vertigo and Billy Wilder's Film Some Like It Hot

Jerry and chase them through the hotel. The two hide under a table in a banquet room, only to discover that its the very room in ...