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Essays 901 - 930

The Bumpy Course of True Love in Shakespeare's A Midsummer Night's Dream

In this paper consisting of five pages the star crossed lovers of Hermia and Lysander, Demetrius and Helena, and Hippolyta and The...

Act II, Scene II of Shakespeare's A Midsummer Night's Dream

and Oberon are the sovereign spirits of the woods and in their own right are exotic royalty. Yet again, the issue of appearances ...

Iago's Character in William Shakespeare's Othello II

In three pages this paper analyzes the complexities of the Iago character in Othello by William Shakespeare. There is no bibliogr...

Conflicts Rooted in Anger in William Shakespeare's Tragedies King Lear, Hamlet, and Othello

In three pages the emotional conflicts that are based in anger are examined in terms of the protagonists behavior' and the importa...

William Shakespeare's Use of Sexuality in the Plays Antony and Cleopatra, Hamlet, and Othello

In twelve pages this paper examines how sexuality is thematically portrayed in these plays in terms of obsession, interracial love...

Analysis of William Shakespeare's Henry IV Speeches I.ii.185-192-I.ii.1-9

In five pages this paper presents an analysis of King Henry and Prince Hal's speeches in terms of tone and metaphor in a contrast ...

Character Relationships, William Shakespeare's A Midsummer Night's Dream and 'the Play Within the Play'

In six pages this paper examines the 'play within the play' involving the character relationships of famous Shakespearean couples ...

Choosing a Mate in William Shakespeare's Romeo and Juliet and Taming of the Shrew

In eight pages this paper examines the process of marital selection that is featured in these 2 plays by William Shakespeare. Fiv...

Dramatic Irony in William Shakespeare's Much Ado About Nothing and The Taming of the Shrew

In three pages this paper analyzes how Shakespeare employed dramatic irony in these 2 plays. There are no other sources listed....

Shakespeare's Theme of Homoeroticism in a Trio of Plays

In twelve pages this paper examines how the theme of homoeroticism manifests itself in the Shakespearean plays Twelfth Night, As Y...

Identity in William Shakespeare's Measure for Measure and Hamlet

In five pages this paper examines the power of identity in the similarities and differences that exist among characters Mariana in...

Analysis of William Shakespeare's Romeo and Juliet, Hamlet, and Sophocles' Oedipus

In six pages this research paper contrasts and compares these works by Shakespeare and Sophocles in terms of tragic themes and iro...

Love and William Shakespeare's Taming of the Shrew

In five pages this essay contrasts 2 of the speeches made by Katherina in the play in an analysis that argues Petruchio's abuse is...

Love and Death Imagery in William Shakespeare's Romeo and Juliet

In eight pages this paper discusses the images of love and death that reinforce the tragic inevitability of Romeo and Juliet. Six...

Nurse Characterization in William Shakespeare's Romeo and Juliet

In five pages a character analysis of the Nurse and her role in the play are examined....

Women in William Shakespeare's Richard III

This paper consists of eight pages and considers how Shakespeare treated women in his political plays with the emphasis being upon...

William Shakespeare's Timon of Athens and Disillusionment

This paper consists of eight pages and discusses how the theme of disillusionment is represented in this Shakespearean play. Five...

Characterization and Effect in William Shakespeare's Twelfth Night

everybody. Laughter in this play has a healing effect. Revenge is achieved not by fighting (not by serious fighting, anyw...

Deaths of Cleopatra and Juliet in William Shakespeare's Antony and Cleopatra and Romeo and Juliet

In eight pages the deaths of these female characters are contrasted and compared. Six sources are cited in the bibliography....

Prospero's Treatment of Caliban and Ariel in William Shakespeare's The Tempest

In 5 pages the similarities and the differences between the ways in which Prospero treats servants Ariel and Caliban in The Tempes...

Othello and Desdemona in William Shakespeare's Othello

fall upon my life" (Shakespeare I iii). In this he is leaving it all up to his wife and her father, nobly demonstrating that he do...

Justice, Murderers, Susan Glaspell's Trifles and William Shakespeare's Hamlet

When Hamlet returns home, he is greeted with what he is convinced is his fathers ghost. After identifying himself, the ghost prom...

William Shakespeare's Characters Macduff and Macbeth

Macbeth says only "We will speak further" (I, v, 71). The next time we see Macbeth he has a long soliloquy in which he enumerates...

Persuasiveness of Iago in William Shakespeare's Othello

lines of the opening curtain, Roderigo says "Thou toldst me thou didst hold him in thy hate" (I, i, 7), to which Iago replies, "De...

Closely Reading Ophelia's 'Mad' Songs in William Shakespeare's Hamlet Act IV, Scene V

where hours were spent singing songs and learning nursery rhymes. When Gertrude inquires as to how she is doing, Ophelia sings, "...

William Shakespeare's A Midsummer Night's Dream and the Supernatural

supernatural. Even before the humans enter the forest, and Oberon and Titania become involved in playing tricks on the humans thro...

William Shakespeare's A Midsummer Night's Dream and the Character of Puck as Protagonist

Oberon and make him smile/ When I a fat and bean-fed horse beguile,/ Neighing in likeness of a filly foal:/ And sometime lurk I in...

Appearance And Reality In Shakespeare's Macbeth

your tongue: look like the innocent flower,/ But be the serpent undert" (Shakespeare I v). This is a very powerful example of how ...

Elizabethan Society, Women's Role and Portia in William Shakespeare's The Merchant of Venice

equal pound / Of your fair flesh, to be cut off and taken / In what part of your body pleaseth me" (I, iii, 148-150). Antonio agre...

William Shakespeare's The Tempest and King Lear and Sibling Rivalry

"too short" (Shakespeare I i). She tells him "I am alone felicitate/ In your dear highness love" (Shakespeare I i). In this we see...