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Essays 331 - 360

Knowledge and Personal Awareness in the 1999 Film The Matrix

Reality, knowledge, and personal awareness are considered in this analysis of The Matrix film in a report consisting of five pages...

Witness Film and Ethics

In seven pages this paper applies Christine Sommers' edited text Vice and Virtue to an analysis of the ethics represented in the f...

Film Rebel Without a Cause and Theories of Sociology

In seven pages this paper examines juvenile delinquency in this analysis of the 1955 film Rebel Without a Cause from a perspective...

Social Implications of Oranges Are Not the Only Fruit by Jeanette Winterson

An analysis of the social implications of the novel and film versions of Jeanette Winterson's Oranges Are Not the Only Fruit are e...

Labyrinth in The Trial Film by Orson Welles

In five page this Orson Welles' film features a labyrinth analysis. Two sources are cited in the bibliography....

Intention of Authors and its Importance

In ten pages author intent is the focus of this analysis of the Buena Vista Social Club film and the novels The Adventures of Huck...

Films My Brilliant Career, Annie Hall, Educating Rita, and The Piano and the Portrayal of Strong Women

This paper examines women's roles and status and how they are portrayed in a comparative analysis of these films consisting of eig...

The Bicycle Thief and Citizen Kane

This research report compares and contrasts two important films. A comprehensive analysis is provided as thematic elements are exp...

Jim Jarmusch's Film Dead Man

The role gives him room to act insolent and wry, high-flown and wised-up by turns, and Farmer makes the most of his chances, playi...

Tragic Hero Assessment of John Proctor as Portrayed in the 1996 Film Version of Arthur Miller's The Crucible

In five pages this character analysis of John Proctor and whether or not he was portrayed as a tragic hero in Arthur Miller's 1996...

The Matrix Character of Neo

Reeves plays Neo, a hacker who learns from rebel-rousers Morpheus (Laurence Fishburne) and Trinity (Carrie-Anne Moss) that the wor...

Epic Filmmaking and 1939's Gone with the Wind

In five pages this paper discusses Gone with the Wind in an analysis of its epic film production. Four sources are cited in the b...

Female Subjectivity in the Films Cleo from 5 to 7 and Now, Voyager

Female subjectivity is the focus of a comparative analysis of these films in six pages. There are no other sources listed....

Casablanca Film's Propaganda and History

In five pages this 1943 film by director Michael Curtiz is examined in terms of both its Second World War period history and how i...

Terminator Science Fiction Film Review

In three pages this essay presents a review and analysis of the science fiction film Terminator. There is no bibliography include...

The Haunting Science Fiction Film Review

In three pages this paper presents an analysis of this film in terms of the emotional punch it packs along with a consideration of...

Review of Dai Richards' Film The 50 Years' War

in 1947, started with the single incident of granting Israel a portion of land which was held by the Palestinians. Historical e...

Themes of Fantasy and Reality in Woody Allen's Film The Purple Rose of Cairo

her favorite actor in it, Tom Baxter. After the movie is over she finds herself unable to go home to face the reality of a man who...

Comparing 'A Clockwork Orange' by Anthony Burgess with Stanley Kubrick's Film A Clockwork Orange

other supporting characters. In order to streamline the storytelling even more, the screen adaptation of A Clockwork Orange focus...

Finding Forrester Themes of Education and Racism

At the same time, there are two teachers in this work who are at odds. They are of course Forrester and Crawford. Forrester actua...

Analysis of the Movie Clueless

impostor of a friend. The heroines role, of course, is defined not only by her own inner convictions but also by those with whom ...

Who's Afraid of Virginia Woolf? and Postmodernism

symbolic, it can be said to the juxtaposition of Martha to George(Clurman 12). Martha is high energy and ambitious, whereas George...

Films One Night at McCool's, The Usual Suspects and Their Narratives

one central character which functions as the narrative object (Telotte, 2003). In other words, this character is typically define...

Federico Fellini's Movies and Their Cinematic Influence

he would have lent his considerable talents and boundless energy to the circus arena "because the circus is just that same mixture...

3 Films and Their Structures

is no truly artistic use of the camera aside from working towards presenting us perhaps with the perspective of every day life. Th...

Novel and Film Versions of The Rainmaker

the hospital commissary where Rudy is studying for the bar exam. In the book, Kelly and Rudy have met previously. Rudy comments ...

David Fincher's The Fight Club

libidinal desire and an internal examination, which tends to idealize self (Naiman 333). The one factor which unites the two symb...

M. Night Shyamalan's Unbreakable Cinematic Analysis

use the camera in the same way as an author uses words for both aesthetic and textural purposes. There are two particularly effec...

Artwork in the Films Basquiat and Crumb

he is the one telling us of his past and his art. He tells us that one time he took some drug that was supposedly LSD but he think...

Macon in The Accidental Tourist and OCD

safe with American restaurant choices, avoiding human contact, and the like. What is interesting about this story is tha...