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Character Transitions and Narrative Technique of Alfred Hitchcock

own life. With Scottie in pursuit, Madeleine climbs a bell tower and apparently falls to her death; in reality, the Novak charact...

Psycho Film Critically Analyzed

In thirteen pages Alfred Hitchcock's 1960 suspense masterpiece is analyzed in terms of effect, form, and function with a cinematic...

Narrative Construction in “Rear Window”

ultimately meaningless and pointless. An audience member, however, wants to understand whats happening, and uses a film narrative ...

Uhry's Driving Miss Daisy

by employing a chauffeur. Miss Daisy has strict ideas of what is right and proper, and having been brought up in Jewish social cul...

Character of Melanie in Alfred Hitchcock's Film The Birds

Mitch, a man completely under the control of his mother. But, we really do not necessarily believe that Melanie wants this man. Sh...

Post 911 Fighting Fear and an Example of Narrative Writing

On the other hand, if the attack is primarily intended as a background setting from which the main character extrapolates their ow...

Alfred Hitchcock, the Cinematic Suspense Master

In six pages this paper examines the cinematic mastery of film director Alfred Hitchcock and some of the techniques he employed th...

Hitchcock/Rear Window & North by Northwest

film. More credits fall and slide into place, which foreshadows how Thornhill will later slide, nearly falling off the face of Lin...

Expressionism in Film

rolling down a hillside and coming ominously to rest" (Morris, 2000). Following the template set by Caligari, Lang also delves int...

Hitchcock’s Auteur Vision: “Rear Window”

they were in the wrong place at the wrong time. In The Birds, for instance, Melanie (Tippi Hedren) pursues Mitch (Rod Taylor), a m...

The Disturbing Worldview of Alfred Hitchcock

the side of the road in the midst of miles of cornfields. It is a bright, sunny afternoon and the prairie seems benign after the c...

"Psycho" with Reference to Walters

between them by the feelings they evoke in us. Walters writes that tension is one of the most important barometers of audience res...

Analysis of Hitchcock's Vertigo

falling Madeleine from her apartment to a flower shop, to a Spanish mission where she visits the grave of Carlotta Valdes, and to ...

1930s and 1940s' British Cinema and its Heterogeneous Mix

In seven pages the heterogeneity of such British films of the period as Alfred Hitchcock's 1938 The Lady Vanishes and Zoltan Korda...

Rear Window Film and Feminist Theories of Cinema

the director and the male filmgoer) receive a sexual thrill from watching the victimization of women (Williams 706). As one of th...

A Review and Analysis of the Film, North By Northwest

This paper analyzes and reviews Alfred Hitchcock's 1959 classic film, North by Northwest. This two page paper has one source list...

1930 to 1949 British Film and the Connection Between Realism and Melodrama

In eight pages this paper examines the connection between realism and melodrama that existed in British cinema during this time pe...

Alfred Hitchcock's Film The Birds

In five pages this paper examines how man's abuse of nature has dire consequences in Alfred Hitchcock's 1963 film The Birds. Four...

Narrative Writing & Shepherd's Christmas Story

defined point of view, which is often that of the author. By giving "specific and sensory details," the author gets the reader inv...

Hitchcock/Strangers On A Train

an accidental meeting, as they have lunch in Guys private compartment, Bruno makes comments that reveal that he has detailed knowl...

Hitchcock/Psycho & Shadow of a Doubt

the nature of good and evil. In "Shadow," there are the two "Charlies," Uncle Charlie and his niece, Charlotte, who is known as "C...

Techniques of Filmmaker Alfred Hitchcock

The cuts are approximately equal in length. Finally Thornhill asks if hes supposed to meet someone and the stranger replies...

Hitchcock's Use of Mise en Scene in Rear Window and Vertigo

lends great insight into the cinematic development of any film, especially the films of Hitchcock. In his movies, every shot has ...

Hitchcock's Rebecca

Danvers seems almost supernatural in her ability to simply appear, starling the current Mrs. De Winter, who is played by Joan Font...

A Character Analysis from The Kite Runner

to torment me anew. Suddenly the air in Rahim Khans little flat was too thick, too hot, too rich with the smell of the street" (H...

Evil in Alfred Hitchcock's Films Rope and North by Northwest

the most louche, laidback villains in screen history" (Brooke, 2005, PG) emphasises Thornhills naivety as far as espionage and mur...

Comparative Analysis of Alfred Hitchcock's Film Vertigo and Billy Wilder's Film Some Like It Hot

Jerry and chase them through the hotel. The two hide under a table in a banquet room, only to discover that its the very room in ...

Eyes in Film

Schwartz towards the woman he is longing for; the disappointed gaze of his wife Lotte (Cameron Diaz). When a person is presumably ...

An Analysis of Alfred Hitchcock's Film Rear Window

In five pages this research paper considers how voyeurism is depicted in this 1954 suspense thriller particularly as it relates to...

Alfred Hitchcock's Genius

his cinematic apprenticeship working for British studios - working first as an artist, set designer and directors assistant before...