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Essays 361 - 390

Analysis of the Italian Realist Film The Bicycle Thief

In five pages a cinematic analysis of Vittorio de Sica's 1948 film includes camera uses, production techniques and evaluates the e...

Citizen Kane from a Critical Perspective

One of the most innovative movies in cinematic history is Orson Welles' Citizen Kane. This paper examines Welles' techniques and w...

Analysis of Scream and Psycho Horror Movies

In eight pages the changes that occurred in the horror cinematic genre between 1960 and 1996 are examined in a contrast and compar...

Hollywood Babylon of Filmmaker Kenneth Anger

In five pages this paper discusses the cinematic style of nonnarrative abstract developed by Kenneth Anger, underground filmmaker....

Politics in the Book and Film Primary Colors

In six pages this paper examines politics in the United States and how it is portrayed in the novel and cinematic versions of Prim...

Privacy Invasion by the Media

In five pages this paper examines how privacy is intruded upon by the media in the name of news with cinematic examples provided t...

Jean Luc Godard's Unconventional Cinematic Style

of capitalism, he looked for a medium which would best provide a creative outlet, as well as indulge in his interest in philosophy...

Ian McKellan's Film 'Richard III' and Evil

In six pages this paper examines how evil is portrayed in this cinematic interpretation of William Shakespeare's 'Richard III' wit...

Films My Darling Clementine and Now Voyager and Their Representations of Class and Gender

In ten pages these cinematic melodramas of the Forties are examined in a discussion of meaning construction through class and gend...

3 Perspectives on Julius Caesar by Plutarch, William Shakespeare, and Joseph L. Mankiewicz

In six pages this paper discusses how Plutarch and Shakespeare presented Julius Caesar in comparison to Joseph L. Mankiewicz's 195...

Contemporary Perspectives on Romeo and Juliet by William Shakespeare

In five pages this paper examines the contemporary perspectives represented in the 1996 cinematic interpretation of William Shakes...

Federico Fellini's Film, La Dolce Vita

This paper examines the Fellini film, La Dolce Vita. The author discusses camera shots and angels, as well as design, decor, comp...

Eraserhead Film by David Lynch

Experimental films are discussed in this research paper consisting of six pages with Lynch's feature debut the focus of considerat...

Comparative Analysis of William Shakespeare's Play Hamlet and Kenneth Branagh's Film Adaptation

In six pages this paper compares the strong similarities between Kenneth Branagh's cinematic interpretation of Hamlet and Shakespe...

Imperialism in the Movies

the River (1935), The Lives of a Bengal Lancer (1935), King Solomons Mines (1937), Gunga Din (1939), Beau Geste (1939), and The Fo...

British Cinema Censorship Prior to 1945

Censorship of any form also has the effect of promoting elitism with regard to access to...

Cinema and Time's Role

human being he is. This comes as a shock to Oliverio who is as bad as the rest in assuming that prostitutes have no brains. Actu...

Simon During's The Global Popular and the Pleasures of Viewers

climactic as an invading force, but may take place in the acculturation of one culture from another. Even today many of the Wester...

Films and the Issue of Privacy

somewhat difficult; she appears to be one of those writers who will not use one word where she can cram in three. In addition, she...

William Faulkner's 'A Rose for Emily' and Other Examples of Eccentricity

are similar to Emilys. The characters discussed are Carrie, from the film "Carrie," Norman Bates from the film "Psycho," Eleanor f...

Reinvention of Western Films

There are other types of westerns though as well. Some westerns depict life in Americas colonial times or may take place in terra...

Reality and Films

Indeed, by looking at the role of the women in the movie it is a reflection of the social conditions. There is a reflection of the...

Howard Hawks' 1946 Film The Big Sleep

of the classic noir characteristics, it also thumbed its nose at the use of flashbacks. There were no voice-over narrations, with ...

Director Quentin Tarantino and Postmodernism

(Rombes). Rafferty (1997) explains that the postmodern film is built on the film noir genre, but that a feature of postmodernism ...

1920s' Soviet Films and the Uses of Montage

of tape and combines them to emphasize their meaning. It is a method by which through two unrelated shots we may create a third an...

Film Industry and Revelations on Crime and Punishment

woman. She has the ability to ruin peoples lives. This gives her a great deal of power and it corrupts absolutely. As Judge Danfor...

Billy Elliot Film and the Depiction of Childhood

finds that he has a natural talent for it. It is as if the emotional side of him which has been forced to remain silent finally ha...

Cinematic Structure and Coding of the Film Gone with the Wind

in structuralist models, researchers often examine the underlying structures which occur beneath the actions or speech of the indi...

Chantal Ackerman and Her Films Je, Tu, Il and Elle and the Eighties

attitude which pervades most of her works, even today, it can be stated. This is because feminism was asking women to redefine the...

Cinematic Style, Influence, and Impact of Francis Ford Coppola

in his 30s. Coppola, born in 1939 in Detroit, Michigan to an actress mother (Italia) and musician father (Carmine) grew up in Quee...