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Essays 301 - 330

Analysis of Scream and Psycho Horror Movies

In eight pages the changes that occurred in the horror cinematic genre between 1960 and 1996 are examined in a contrast and compar...

Hollywood Babylon of Filmmaker Kenneth Anger

In five pages this paper discusses the cinematic style of nonnarrative abstract developed by Kenneth Anger, underground filmmaker....

Cinema and Aristotelian Considerations

In a paper consisting of five pages the cinematic adaptations of Who's Afraid of Virginia Woolf, Much Ado About Nothing, and Sween...

Movies and How the Dracula Character Has Evolved

Transylvanian aristocrat remained unchallenged for nearly twenty-seven years, and it was not until 1958, when the British actor Ch...

Novel and Cinematic Versions of A Passage to India by E.M. Forster

In four pages the novel and its film adaptation are thematically compared in terms of cinematic changes that were made. Six sourc...

Post First World War Hollywood Studio Dominance

In twelve pages this paper considers the global cinematic dominance of the Hollywood studio system after the First World War. Nin...

Hollywood Cinema, False Depiction of Women and the Subtle Sexism

sexually aggressive. In my own opinion, Mildred Pierce, Jezebel, The Postman Always Rings Twice-these were great tragedies about w...

Andrei Tarkovsky's Cinematic Poetry

This in-depth research paper puts forth the argument that the films of director Andrei Tarkovsky are best seen as cinematic poetry...

Comedy in Cinema, From Charlie Chaplin To Woody Allen

This paper addresses the growth of cinematic comedy. The author covers major works by Charlie Chaplin, The Three Stooges, Buster ...

Roots of Avant Garde's Visual Arts

In eight pages the roots of avant garde regarding film are argued to be in the visual arts as opposed to the narrative cinematic t...

1968 Film Romeo and Juliet by Franco Zeffirelli

In three pages this paper examines the filmmaker's various cinematic techniques and include elements such as utilizing teenage act...

Apocolypse Now Film by Director Francis Ford Coppola

In five pages this paper considers the film's parallels with Heart of Darkness by Joseph Conrad and also discusses influences of T...

1999 Film Sleepy Hollow by Director Tim Burton

In seven pages this report analyzes Tim Burton's film Sleepy Hollow in terms of Johnny Depp's performance and cinematic influences...

Mary Shelley's Frankenstein and Director James Whale's 1931 Film Interpretation

In five pages the original nineteenth century novel by Mary Shelley is compared with the 1931 cinematic production by director Jam...

Comparative Analysis of The Wizard of Oz Text and 1939 Film

not intend for the work to provide the surreal aura that Emerald City became in the filmed classic. The film was a musical and thi...

Alfred Hitchcock, the Cinematic Suspense Master

In six pages this paper examines the cinematic mastery of film director Alfred Hitchcock and some of the techniques he employed th...

Tennessee Williams' Cat On a Hot Tin Roof Play and Film Versions

severity of the Bricks grief at Skippers death causes his relatives to speculate, but this is dispelled in the crucial scene that...

Overview of Healthcare Economics

In ten pages healthcare economics is discussed in an overview that includes planning, rational planning, costs, efficiency, equity...

1936 Olympic Games in Berlin

statement that Social Fascism and Nazism actually worked. At the time, the Games did the job: Shirer noted that "the athletes from...

Steven Spielberg and David Lean Cinematic Comparison

easy to see how Leans grasp of cinematography and his ability to create and drive plots throughout the directing and filming proce...

Man and Icon John Wayne

a football player. Ford then told Duke to "try to tackle him" (PG) and Duke attempted it but was thrown roughly to the ground. W...

Religion and Racism Themes in Heart of Darkness by Joseph Conrad

the boy some cookies. Marlow meets one of the men from his company, on the street and joins him in his hut office, but after a sh...

Searches in 2 Films by Orson Welles

series of flashback scenes, it becomes apparent that Kane, though quite wealthy, does not know who he is anymore. Having risen fro...

Filmmaker Woody Allen

its ruler and padding back to America in search of the woman who scorned his advances when he was nothing more than a lowly consum...

3 Cinematic Interpretations of William Shakespeare's Richard III

most notably, but not really missed, were Queen Margaret, and Edward IV. Some of the lengthy dialogue was taken out without detrac...

Mise-en-Scene

and editing equipment to the ability to use special effects as never before. Thus, there is mise-en-scene today and some film mak...

Cinematic Neorealism

neorealistic filmmakers, such as Rossellini, Vittorio DeSica and Cesare Zavattini, was to make a "moral statement," which forces ...

Mise-En Scene in Three Films

Thompson 115). The number of possible angles is infinite since there are an infinite number of points in space that the camera can...

Novel and Movie Versions of The French Lieutenant's Woman

novel and wholly unique to the film, it is arguably faithful to Fowles intentions in the way that the original novel is structured...

Lawrence of Arabia by Filmmaker David Lean

Passage to India. However, his creative pinnacle is largely acknowledged to be the wildly successful (both critically as well as ...