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Essays 241 - 270

Filmmaker Woody Allen

its ruler and padding back to America in search of the woman who scorned his advances when he was nothing more than a lowly consum...

Cinematic Neorealism

neorealistic filmmakers, such as Rossellini, Vittorio DeSica and Cesare Zavattini, was to make a "moral statement," which forces ...

Play and 1995 Film Version of William Shakespeare's Othello

an extremely abbreviated version of the play. Well over half the dialogue of the original play has been condensed or eliminated i...

Cinematic Analysis of Oliver Parker's Othello

"right hand" man despite Iagos longer term of service (Null, 2002). Iago manages to incite a jealousy rage in Othello that results...

Man and Icon John Wayne

a football player. Ford then told Duke to "try to tackle him" (PG) and Duke attempted it but was thrown roughly to the ground. W...

Mise-En Scene in Three Films

Thompson 115). The number of possible angles is infinite since there are an infinite number of points in space that the camera can...

Cinematic Violence

The ongoing debate onf movie violence is examined from both sides in five pages with Pulp Fiction and Natural Born Killers among t...

Stylistic and Formal Characteristics of Gus Van Sant's 'My Own Private Idaho'

Such cinematic techniques as mise-en-scene are discussed in a paper consisting of 6 pages as thematic and narrative expression are...

Cinema and Aristotelian Considerations

In a paper consisting of five pages the cinematic adaptations of Who's Afraid of Virginia Woolf, Much Ado About Nothing, and Sween...

Movies and How the Dracula Character Has Evolved

Transylvanian aristocrat remained unchallenged for nearly twenty-seven years, and it was not until 1958, when the British actor Ch...

Analysis of the Italian Realist Film The Bicycle Thief

In five pages a cinematic analysis of Vittorio de Sica's 1948 film includes camera uses, production techniques and evaluates the e...

Citizen Kane from a Critical Perspective

One of the most innovative movies in cinematic history is Orson Welles' Citizen Kane. This paper examines Welles' techniques and w...

Analysis of Scream and Psycho Horror Movies

In eight pages the changes that occurred in the horror cinematic genre between 1960 and 1996 are examined in a contrast and compar...

Hollywood Babylon of Filmmaker Kenneth Anger

In five pages this paper discusses the cinematic style of nonnarrative abstract developed by Kenneth Anger, underground filmmaker....

Politics in the Book and Film Primary Colors

In six pages this paper examines politics in the United States and how it is portrayed in the novel and cinematic versions of Prim...

Cinematic Contributions of Director Howard Hawks

In ten pages this paper examines Hawks' big screen contributions with an emphasis upon his screwball comedy classics Ball of Fire,...

Eraserhead Film by David Lynch

Experimental films are discussed in this research paper consisting of six pages with Lynch's feature debut the focus of considerat...

A Cinematic Analysis of 'Bound For Glory'

A research paper consisting of 4 pages that concentrates asks 5 questions relating to the film and on opening and closing scenes o...

Federico Fellini's Film, La Dolce Vita

This paper examines the Fellini film, La Dolce Vita. The author discusses camera shots and angels, as well as design, decor, comp...

American Film and Hispanic Women

In eight pages this paper discusses films Evita and Selena in a consideration of the depiction of Hispanic women in U.S. cinema. ...

Andrei Tarkovsky's Cinematic Poetry

This in-depth research paper puts forth the argument that the films of director Andrei Tarkovsky are best seen as cinematic poetry...

Comedy in Cinema, From Charlie Chaplin To Woody Allen

This paper addresses the growth of cinematic comedy. The author covers major works by Charlie Chaplin, The Three Stooges, Buster ...

Lessons About War In The Film, Saving Private Ryan

This paper examines Stephen Speilberg's 1998 WWII film, Saving Private Ryan. The author discusses what lessons can be taken from ...

A Critical Analysis of the Film, Hamburger Hill

This paper examines the issue of whether or not the film, Hamburger Hill, is an accurate depiction of the life of a soldier in the...

Roots of Avant Garde's Visual Arts

In eight pages the roots of avant garde regarding film are argued to be in the visual arts as opposed to the narrative cinematic t...

1968 Film Romeo and Juliet by Franco Zeffirelli

In three pages this paper examines the filmmaker's various cinematic techniques and include elements such as utilizing teenage act...

Apocolypse Now Film by Director Francis Ford Coppola

In five pages this paper considers the film's parallels with Heart of Darkness by Joseph Conrad and also discusses influences of T...

Analysis of 'Under Milk Wood' by Dylan Thomas

In three pages this poem is analyzed in its depiction of loving women, the life cycle, death's inevitability, and the loss of inno...

The 'Essay on Man' by Alexander Pope

In fifteen pages this narrative poem is analyzed in terms of its depiction of the eighteenth century man with each of the four sec...

Comparative Analysis of William Shakespeare's Play Hamlet and Kenneth Branagh's Film Adaptation

In six pages this paper compares the strong similarities between Kenneth Branagh's cinematic interpretation of Hamlet and Shakespe...