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Cinematic Narrative in Pulp Fiction and Citizen Kane

We note he grows to be a gregarious individual who seems driven to succeed in unusual ways, always seeking some adventure and some...

Social Order Visions in Police Cinematic Dramas

the beginning perhaps, a cop who felt that policeman could truly offer some form of social control that would eventually benefit a...

Richard III Cinematic Adaptation by Laurence Olivier

In six pages Olivier's interpretation of Richard and the importance of the 5 soliloquies to the film are discussed. There are no ...

The Wizard of Oz, Citizen Kane, and Cinematic Reflections of America

In five pages this paper discusses how these films reflect expansionism, individualism, success, economic wealth, the 'American Dr...

Cinematic Depiction of Unions in Hoffa, Wall Street, and The Grapes of Wrath

In five pages this paper examines how these films depict U.S. labor unions in an evaluation of whether or not management and labor...

U.S. Society and Cinematic Stereotypes of Hispanics

In five pages this paper considers how Hispanics have been stereotyped by American society and how cinema has perpetuated this dis...

Cinematic Version of Anthony Burgess' A Clockwork Orange and the Problems Faced by Director Stanley Kubrick

In eight pages this paper discusses the problems filmmaker Stanley Kubrick struggled with while making his big screen adaptation o...

Strategic Cinematic Marketing

In eight pages this paper examines innovative marketing strategies for films with The Blair Witch Project as a recent example of a...

Cinematic Depiction of Deviance

In eleven pages this paper discusses how deviance is cinematically depicted in such films as Leaving Las Vegas and One Flew Over t...

The Seventh Seal and Cinematic Symbolism of Director Ingmar Bergman

In five pages this paper analyzes the symbolism Ingmar Bergman employed for existentialist effect in his 1957 film The Seventh Sea...

Comparing Rudyard Kipling's Prose with John Huston's Cinematic Narrative in The Man Who Would Be King

In five pages the voices used in these very different ways of telling the same story are compared and contrasted in terms of artis...

The Apostle, Wise Blood, and Cinematic Faith

In ten pages this paper examines the types of faith represented in these films along with a comparison with Flannery O'Connor's no...

Steven Spielberg's Cinematic Depiction of Alice Walker's Novel The Color Purple

In five pages this paper analyzes if Spielberg structurally changed Walker's novel in his film version and concludes that he does ...

A Cinematic Analysis of 'Bound For Glory'

A research paper consisting of 4 pages that concentrates asks 5 questions relating to the film and on opening and closing scenes o...

Cinematic Contributions of Director Howard Hawks

In ten pages this paper examines Hawks' big screen contributions with an emphasis upon his screwball comedy classics Ball of Fire,...

Cinematic Violence

The ongoing debate onf movie violence is examined from both sides in five pages with Pulp Fiction and Natural Born Killers among t...

Cinematic Depiction of African Americans

In fifteen pages this paper analyzes how African Americans in movies have evolved with the success of director Spike Lee among the...

Cinematic Portrayals of Human Rights Offenses

In five pages this paper examines how public awareness of human rights' offenses was heightened by the shocking abuses featured in...

Cinematic Screwball Comedies and Their Evolution

In eighteen pages the screwball comedy is examined in terms of its history and evolution with a discussion of their intentions alo...

Artistic and Cinematic Postmodernism

In five pages this research paper examines postmodernism as it is reflected in cinema and art. Seven sources are cited in the bib...

It's a Mad, Mad, Mad, Mad World, The Great Race, and Cinematic Slapstick

" or literally "slapping the stick"(Von Busack ppg). It is a physical humor, reminding us that we are physical beings in a real w...

Novel and Cinematic Comparisons of The Great Gatsby

two depictions. Within the theme of The Great Gatsby, Daisy, as weak and dependent as she may be, knows the power she has over me...

Cinematic Comparative Analysis of Rushmore and The Graduate

In five pages this paper contrasts and compares the similarities and differences of these movies and how they represent the 'comin...

Three Decades of Cinematic Representations of Their Respective Times

In six pages this report analyzes how Gold Diggers of 1933, Casablanca, and Invasion of the Body Snatchers each represent their re...

Literary and Cinematic Portrayal of Slavery

In seven pages this paper considers how slavery has been portrayed in cinema, stories, and books. Eleven sources are cited in the...

Shaping History Through Cinematic Narratives

rather how it appears to the person that is hearing or viewing the story. Does the narrative appear to distort or change what ha...

Cinematic Analysis of Dead Man Walking and Schindler's List

This paper examines how character action is used by the director of Dead Man Walking, and commercially motivated criticisms of Sch...

Excalibur, A Cinematic Representation of Arthurian Legend

his sword and kneels commanding that his enemy should knight him. Overcome with Arthurs bravery, as the noble could just as easily...

Moulin Rouge (2001) and Setting a Cinematic Mood

Berkeleys choreography book, he creates mood through unusual camera angles, and heightens the films pace through "speeded-up, step...

Cinematic Depiction of Microbiology, Contagion

This research paper cites reviews in order to report on the scientific accuracy of the film and the manner in which it depicts mic...