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Essays 541 - 570

Mary Shelley's Frankenstein and Director James Whale's 1931 Film Interpretation

In five pages the original nineteenth century novel by Mary Shelley is compared with the 1931 cinematic production by director Jam...

Filmmaker Tim Burton

In seven pages this eccentric and innovative film director is examined in terms of craft, cinematic output, and human insights. Si...

Philosophical and Aethetic Comparison of 'Schindler's List' and 'The Battle Of Algiers'

This is a 5 page paper that considers two different cinematic filmmaking approaches to specific battles, one from a Third World pe...

Film Director John Schlesinger

In five pages this research paper examines the cinematic career of filmmaker John Schlesinger in an artistic consideration of such...

Alfred Hitchcock, the Cinematic Suspense Master

In six pages this paper examines the cinematic mastery of film director Alfred Hitchcock and some of the techniques he employed th...

Comparative Analysis of The Wizard of Oz Text and 1939 Film

not intend for the work to provide the surreal aura that Emerald City became in the filmed classic. The film was a musical and thi...

Trio of Historic Films Examined

In ten pages a trio of historic films answer questions pertaining to cinematic theories, techniques, styles, emotions, and editing...

Horror Films and How They Have Evolved

Project" serves as an excellent example of a film-maker taking full advantage of the inherent fear of all modern humans regarding ...

Analyzing 'Technology and Politics in the Blade Runner Dystopia' by Judith Kerman

In five pages this paper considers Kerman's thoughtful commentary and assessment of the 'Blade Runner' film and its contribution t...

Review of the Post World War II Film The Bicycle Thief

In six pages this paper discusses the portrayal of the realities confronting Italy after the Second World War as featured in Vitto...

Early 1930s' Payne Fund Studies

In seven pages this paper examines cinematic impacts upon children as revealed in the landmark Payne Fund Studies of the 1930s. F...

William Shakespeare's 'Romeo and Juliet' and Homosexuality

In ten pages this ppaer examines the homosexual thematic overtones that are evident both in Shakespeare's play as well as Franco Z...

Privacy Invasion by the Media

In five pages this paper examines how privacy is intruded upon by the media in the name of news with cinematic examples provided t...

Jean Luc Godard's Unconventional Cinematic Style

of capitalism, he looked for a medium which would best provide a creative outlet, as well as indulge in his interest in philosophy...

Consideration of Cinematic Art

In nine pages two stylistic modes Hollywood's classical narrative realism and modernist or avant garde are examined in terms of ho...

Art of Cinema from 1948 to 1965

In nine pages the ways in which cinematic art changed surprisingly little during this time period despite some avant garde detours...

Horror Film Industry Impact of Alfred Hitchcock

In six pages the horror film industry contributions of the cinematic 'Master of Suspense' and their impact are examined. Seven so...

Contemporary Perspectives on Romeo and Juliet by William Shakespeare

In five pages this paper examines the contemporary perspectives represented in the 1996 cinematic interpretation of William Shakes...

Films My Darling Clementine and Now Voyager and Their Representations of Class and Gender

In ten pages these cinematic melodramas of the Forties are examined in a discussion of meaning construction through class and gend...

3 Perspectives on Julius Caesar by Plutarch, William Shakespeare, and Joseph L. Mankiewicz

In six pages this paper discusses how Plutarch and Shakespeare presented Julius Caesar in comparison to Joseph L. Mankiewicz's 195...

Comparative Analysis of William Shakespeare's Play Hamlet and Kenneth Branagh's Film Adaptation

In six pages this paper compares the strong similarities between Kenneth Branagh's cinematic interpretation of Hamlet and Shakespe...

Ian McKellan's Film 'Richard III' and Evil

In six pages this paper examines how evil is portrayed in this cinematic interpretation of William Shakespeare's 'Richard III' wit...

Symbolism of Tita's Blanket in the Novel and Film Versions of Like Water for Chocolate

This paper examines what Tita's blanket symbolizes in Laura Esquirel's novel Like Water for Chocolate and in its cinematic adaptat...

Psycho Film Critically Analyzed

In thirteen pages Alfred Hitchcock's 1960 suspense masterpiece is analyzed in terms of effect, form, and function with a cinematic...

Filmmaker Josef von Sternberg:

In six pages this report considers filmmaker Josef von Sternberg and emphasizes his cinematic collaborations with Marlene Dietrich...

Analysis of Gillo Pontecorvo's Film The Battle of Algiers

before viewing the motion picture. The Hutchinson Dictionary of World History says that the Battle of Algiers erupted due to the ...

Changing the Appearance of Films Through CinemaScope

In eight pages this paper examines the 1950s' introduction of the innovative CinemaScope cinematic technique that changed how film...

Eyes Wide Shut Viewed Critically

Eyes Wide Shut was the last film Stanley Kubrick made. This paper offers an analysis and review of the film, including cinematic t...

Comparing Novel and Film Versions of Like Water for Chocolate

ever since Garcia Marquez won the Nobel Prize" (Simon 64). The novel was an attention grabber and did have it elements of superna...

Animation and the History of Motion Picture Cinematography

In five pages this paper discusses cinematic history in a consideration of animation and the evolution of cinematography. Four so...