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Essays 211 - 240

Changing the Appearance of Films Through CinemaScope

In eight pages this paper examines the 1950s' introduction of the innovative CinemaScope cinematic technique that changed how film...

Cinema and 'Race Films'

back to the film "The Birth of the Nation" which lead later to a movement of "race films" in the 1920s in the cinema. Mainstream U...

Blacks in Gone With the Wind and The Jazz Singer

mythos, Negroes were naturally more musical, more rhythmic, and better dancers than any other group. Therefore the studios scurrie...

Alfred Hitchcock's Genius

his cinematic apprenticeship working for British studios - working first as an artist, set designer and directors assistant before...

Francis Ford Coppola's Film The Godfather, Archetypes and the Hero's Journey

Furthermore, there are certain commonalties that run through the storylines of all epic writing. Examples of such include heroism,...

Lawrence of Arabia by Filmmaker David Lean

Passage to India. However, his creative pinnacle is largely acknowledged to be the wildly successful (both critically as well as ...

Rear Window Film and Feminist Theories of Cinema

the director and the male filmgoer) receive a sexual thrill from watching the victimization of women (Williams 706). As one of th...

Eyes Wide Shut Viewed Critically

Eyes Wide Shut was the last film Stanley Kubrick made. This paper offers an analysis and review of the film, including cinematic t...

Mise-en-Scene

and editing equipment to the ability to use special effects as never before. Thus, there is mise-en-scene today and some film mak...

Artistic Expression in Film

This paper examines how artistic expression can be conveyed through cinematic expression. The author also addresses censorship, c...

French Cinema's 'New Wave'

In 5 pages this paper discusses the Nouvelle Vague or New Wave French cinematic movement of the Fifties and Sixties in a considera...

Apocolypse Now

Coppola also uses the aspect of theater, which acknowledges that each member of the audience will bring with them, to the theater,...

Privacy Invasion by the Media

In five pages this paper examines how privacy is intruded upon by the media in the name of news with cinematic examples provided t...

Consideration of Cinematic Art

In nine pages two stylistic modes Hollywood's classical narrative realism and modernist or avant garde are examined in terms of ho...

Art of Cinema from 1948 to 1965

In nine pages the ways in which cinematic art changed surprisingly little during this time period despite some avant garde detours...

Jean Luc Godard's Unconventional Cinematic Style

of capitalism, he looked for a medium which would best provide a creative outlet, as well as indulge in his interest in philosophy...

Films My Darling Clementine and Now Voyager and Their Representations of Class and Gender

In ten pages these cinematic melodramas of the Forties are examined in a discussion of meaning construction through class and gend...

Post First World War Hollywood Studio Dominance

In twelve pages this paper considers the global cinematic dominance of the Hollywood studio system after the First World War. Nin...

Hollywood Cinema, False Depiction of Women and the Subtle Sexism

sexually aggressive. In my own opinion, Mildred Pierce, Jezebel, The Postman Always Rings Twice-these were great tragedies about w...

Andrei Tarkovsky's Cinematic Poetry

This in-depth research paper puts forth the argument that the films of director Andrei Tarkovsky are best seen as cinematic poetry...

Comedy in Cinema, From Charlie Chaplin To Woody Allen

This paper addresses the growth of cinematic comedy. The author covers major works by Charlie Chaplin, The Three Stooges, Buster ...

Analysis of Scream and Psycho Horror Movies

In eight pages the changes that occurred in the horror cinematic genre between 1960 and 1996 are examined in a contrast and compar...

Hollywood Babylon of Filmmaker Kenneth Anger

In five pages this paper discusses the cinematic style of nonnarrative abstract developed by Kenneth Anger, underground filmmaker....

Politics in the Book and Film Primary Colors

In six pages this paper examines politics in the United States and how it is portrayed in the novel and cinematic versions of Prim...

Roots of Avant Garde's Visual Arts

In eight pages the roots of avant garde regarding film are argued to be in the visual arts as opposed to the narrative cinematic t...

1968 Film Romeo and Juliet by Franco Zeffirelli

In three pages this paper examines the filmmaker's various cinematic techniques and include elements such as utilizing teenage act...

Apocolypse Now Film by Director Francis Ford Coppola

In five pages this paper considers the film's parallels with Heart of Darkness by Joseph Conrad and also discusses influences of T...

Stylistic and Formal Characteristics of Gus Van Sant's 'My Own Private Idaho'

Such cinematic techniques as mise-en-scene are discussed in a paper consisting of 6 pages as thematic and narrative expression are...

Cinema and Aristotelian Considerations

In a paper consisting of five pages the cinematic adaptations of Who's Afraid of Virginia Woolf, Much Ado About Nothing, and Sween...

Movies and How the Dracula Character Has Evolved

Transylvanian aristocrat remained unchallenged for nearly twenty-seven years, and it was not until 1958, when the British actor Ch...