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Essays 571 - 600

Analyzing 'Technology and Politics in the Blade Runner Dystopia' by Judith Kerman

In five pages this paper considers Kerman's thoughtful commentary and assessment of the 'Blade Runner' film and its contribution t...

Early 1930s' Payne Fund Studies

In seven pages this paper examines cinematic impacts upon children as revealed in the landmark Payne Fund Studies of the 1930s. F...

William Shakespeare's 'Romeo and Juliet' and Homosexuality

In ten pages this ppaer examines the homosexual thematic overtones that are evident both in Shakespeare's play as well as Franco Z...

Horror Film Industry Impact of Alfred Hitchcock

In six pages the horror film industry contributions of the cinematic 'Master of Suspense' and their impact are examined. Seven so...

Consideration of Cinematic Art

In nine pages two stylistic modes Hollywood's classical narrative realism and modernist or avant garde are examined in terms of ho...

Art of Cinema from 1948 to 1965

In nine pages the ways in which cinematic art changed surprisingly little during this time period despite some avant garde detours...

Privacy Invasion by the Media

In five pages this paper examines how privacy is intruded upon by the media in the name of news with cinematic examples provided t...

Federico Fellini's Film, La Dolce Vita

This paper examines the Fellini film, La Dolce Vita. The author discusses camera shots and angels, as well as design, decor, comp...

Ian McKellan's Film 'Richard III' and Evil

In six pages this paper examines how evil is portrayed in this cinematic interpretation of William Shakespeare's 'Richard III' wit...

Jean Luc Godard's Unconventional Cinematic Style

of capitalism, he looked for a medium which would best provide a creative outlet, as well as indulge in his interest in philosophy...

Films My Darling Clementine and Now Voyager and Their Representations of Class and Gender

In ten pages these cinematic melodramas of the Forties are examined in a discussion of meaning construction through class and gend...

3 Perspectives on Julius Caesar by Plutarch, William Shakespeare, and Joseph L. Mankiewicz

In six pages this paper discusses how Plutarch and Shakespeare presented Julius Caesar in comparison to Joseph L. Mankiewicz's 195...

Contemporary Perspectives on Romeo and Juliet by William Shakespeare

In five pages this paper examines the contemporary perspectives represented in the 1996 cinematic interpretation of William Shakes...

Comparative Analysis of William Shakespeare's Play Hamlet and Kenneth Branagh's Film Adaptation

In six pages this paper compares the strong similarities between Kenneth Branagh's cinematic interpretation of Hamlet and Shakespe...

Cinematic Classification of Documentaries, Comedies, and Dramas

expectations of the movies plot. The believability of characters is directly proportionate to the credibility of the plot. If a ...

Twentieth Century Art of Cinema

In eight pages this report presents examines of twentieth century cinematic artistry. Four sources are cited in the bibliography....

Charlie Chaplin's Life and Cinematic Contributions

In thirty pages this paper discusses the controversial actor and director's life, cinematic contributions, politics, and the legac...

Worldwide Environment and American Film Performers

is particularly evident in the spread of American culture seemingly to the far corners of the globe (Eslake 61). On practically e...

Novel and Cinematic Versions of A Passage to India by E.M. Forster

In four pages the novel and its film adaptation are thematically compared in terms of cinematic changes that were made. Six sourc...

Comparative Analysis of the 'Poem of the Cid' Epic and Anthony Mann's 1961 Film El Cid

In three pages this paper discusses an epic in terms of characteristics and how thee are expressed in literature and on film in a ...

Post First World War Hollywood Studio Dominance

In twelve pages this paper considers the global cinematic dominance of the Hollywood studio system after the First World War. Nin...

Film Dramatizations of Geoffrey Chaucer's The Canterbury Tales

In six pages this research paper discusses 2 cinematic interpretations of The Canterbury Tales and argues that how filmmakers fail...

Andrei Tarkovsky's Cinematic Poetry

This in-depth research paper puts forth the argument that the films of director Andrei Tarkovsky are best seen as cinematic poetry...

Comedy in Cinema, From Charlie Chaplin To Woody Allen

This paper addresses the growth of cinematic comedy. The author covers major works by Charlie Chaplin, The Three Stooges, Buster ...

Roots of Avant Garde's Visual Arts

In eight pages the roots of avant garde regarding film are argued to be in the visual arts as opposed to the narrative cinematic t...

1968 Film Romeo and Juliet by Franco Zeffirelli

In three pages this paper examines the filmmaker's various cinematic techniques and include elements such as utilizing teenage act...

Stylistic and Formal Characteristics of Gus Van Sant's 'My Own Private Idaho'

Such cinematic techniques as mise-en-scene are discussed in a paper consisting of 6 pages as thematic and narrative expression are...

Cinema and Aristotelian Considerations

In a paper consisting of five pages the cinematic adaptations of Who's Afraid of Virginia Woolf, Much Ado About Nothing, and Sween...

Movies and How the Dracula Character Has Evolved

Transylvanian aristocrat remained unchallenged for nearly twenty-seven years, and it was not until 1958, when the British actor Ch...

Analysis of the Italian Realist Film The Bicycle Thief

In five pages a cinematic analysis of Vittorio de Sica's 1948 film includes camera uses, production techniques and evaluates the e...