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Essays 31 - 60

Scene Analyses from Do the Right Thing, American Beauty, Thelma and Louise, and Taxi Driver

manicured lawns and rose gardens. But for every blooming rose, there is a thorn lurking somewhere, and through the frequent imagi...

Hitchcock's Rebecca

Danvers seems almost supernatural in her ability to simply appear, starling the current Mrs. De Winter, who is played by Joan Font...

Evil in Alfred Hitchcock's Films Rope and North by Northwest

the most louche, laidback villains in screen history" (Brooke, 2005, PG) emphasises Thornhills naivety as far as espionage and mur...

Comparative Analysis of Alfred Hitchcock's Film Vertigo and Billy Wilder's Film Some Like It Hot

Jerry and chase them through the hotel. The two hide under a table in a banquet room, only to discover that its the very room in ...

Alfred Hitchcock's Genius

his cinematic apprenticeship working for British studios - working first as an artist, set designer and directors assistant before...

Alfred Hitchcock's Psycho, Neil Jordan's The Crying Game, and Male Identity

out Dil, Jodys girlfriend. Ironically, painfully, and even humorously, Dil is actually a man (Hooper 43). It is worth noting t...

The Secret History by Donna Tartt, Alfred Hitchcock's Rope and Education

who do not know how to live life and are brainwashed by books and academia" (Chan). In essence, the professor understands the more...

Psychoanalytic View of Alfred Hitchcock's 1960 Film Psycho

film manipulates the audience at every turn, so that the audience is compelled to examine their own sympathies and perspective. ...

Gone with the Wind's Cinematography

that "Tara is the whole story" as the plot revolves around Tara" (Schreibman, 2004, p. 41). The cinematography particularly unde...

Cinematography in “Hero”

a "master swordsman," arriving at the Emperors fortress. Nameless explains to the Emperor how he vanquished "three deadly assassin...

'The Play's the Thing': Analyzing Six Passages from William Shakespeare's Plays

Analysis of William Shakespeare's Hamlet (Act V, Scene ii), As You Like It (Act II, Scene vii), Richard III (Act I, Scene ii), The...

Understanding the City

the feminine.1 Woolfs gendered city is found in her "all-pervasive metaphor of street life as river-like, conveying a sense of dyn...

Upgrading the Network at Riordan

It includes "an application platform with built-in traditional application server functionality on top of extensive operating syst...

A 'Classic' Film Review

for garnering information about the characters. Citizen Kane tops on all of the critics list is the new and dynamic use of the cam...

Themes in Some of Alfred Hitchcoc's Films

In eleven pages this paper discusses the themes of sexual neurosis, voyeurism, moralism, and transference of guilt as featured in ...

Connectivity, External and Internal Drive Bays

front panel." Kozierok (2001) also explains that the term "external drive bay" is a "bit of a misnomer" in that the term ex...

Hitchcock's The Birds, Use of Sound

This essay pertains to Hitchcock's "The Birds" and the strategies that Hitchcock used in the film that relate to the use of sound....

Scenes of Richard III by William Shakespeare Analyzed

In 10 pages pivotal scenes including the second scene of the first act, the first scene of the second act, the first scene of the ...

Analysis of Scream and Psycho Horror Movies

In eight pages the changes that occurred in the horror cinematic genre between 1960 and 1996 are examined in a contrast and compar...

Alfred Hitchcock, the Cinematic Suspense Master

In six pages this paper examines the cinematic mastery of film director Alfred Hitchcock and some of the techniques he employed th...

Comparative Analysis of Film Directors Alfred Hitchcock and Steven Spielberg

In six pages this paper examines the approaches to the horror genre by directors Alfred Hitchcock and Steven Spielberg in this con...

Genre Critique of Alfred Hitchcock

In five pages this paper examines the implied genre film criticisms of Alfred Hitchcock. Six sources are cited in the bibliograph...

Corpse's Role in the Movies of Alfred Hitchcock

"should be allowed to people who are considered superior human beings" (Alfred Hitchcocks "Rope"). Their definition of a "superio...

Hitchcock/Strangers On A Train

an accidental meeting, as they have lunch in Guys private compartment, Bruno makes comments that reveal that he has detailed knowl...

Alfred Hitchcock and His Auteur Style

theorists and directors," note that "Hitchcocks films are deeply infused with anxiety, guilt, and existential angst, which they tr...

Film Review, Fifth Element

This film review offers a comprehensive overview of "Fifth Element" (1997) that discusses editing, mise-en-scene, sound, cinematog...

Walter Salle's Motorcycle Diaries

a camaraderie that is more reminiscent of Huck and Tom than future revolutionaries. However, as they begin to see the poverty and ...

The Bourne Identity Cinematic Analysis

to tell what might appear on first glance to be a tired old story. First, there is the scintillating color that enables the film ...

1969 Film Topaz by Alfred Hitchcock

aided in this aspect of the film by production designer Henry Bumstead, who "carried the masters color ideas out in ingenious desi...

Memory Management and Functionality of Windows XP

the stickiest problems with Microsoft operating systems. Perhaps the most fascinating new XP feature is that read-only and...