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Essays 1141 - 1170

Dramatic Irony in William Shakespeare's Much Ado About Nothing and The Taming of the Shrew

In three pages this paper analyzes how Shakespeare employed dramatic irony in these 2 plays. There are no other sources listed....

Russ McDonald's 'Presentational Theater' and William Shakespeare's Coriolanus, Hamlet, and Othello

This paper consists of five pages in which Russ McDonald's 'presentational theater' theory is used to analyze illustrations from S...

Psychological Victimization of William Shakespeare's Protagonist in Macbeth

In five pages this paper examines how the witches and Lady Macbeth psychologically victimize Macbeth in this analysis of Shakespea...

Orchestral, Opera, and Dance Versions of William Shakespeare's Romeo and Juliet

tragedy and more of an exploration of childhood, innocence and youthful passion. In the course of pursuing their relationship, and...

Justice, Murderers, Susan Glaspell's Trifles and William Shakespeare's Hamlet

When Hamlet returns home, he is greeted with what he is convinced is his fathers ghost. After identifying himself, the ghost prom...

Handkerchief Significance in William Shakespeare's Othello

good man, whom he has treated unjustly. Desdemona has, of course, been persuaded by Iago to defend Cassio, as he knows that this w...

What a Director Should Know about a Production of William Shakespeare's Romeo and Juliet

the best Shakespeare company in the world so perhaps the director might want to consider a minimalist production. The focus of th...

Themes in William Shakespeare's Hamlet and Sophocles' Oedipus

Jocastas acceptance of her role and of the death of her son is fundamental to the actions of the play. When Oedipus kills Laius a...

Othello and Desdemona in William Shakespeare's Othello

fall upon my life" (Shakespeare I iii). In this he is leaving it all up to his wife and her father, nobly demonstrating that he do...

Elizabethan Society, Women's Role and Portia in William Shakespeare's The Merchant of Venice

equal pound / Of your fair flesh, to be cut off and taken / In what part of your body pleaseth me" (I, iii, 148-150). Antonio agre...

William Shakespeare's Macbeth and the Use of Blood Imagery

soldier, but hes also immediately associated in our minds with the spilling of blood. But blood also means the blood connection b...

William Shakespeare's The Tempest and King Lear and Sibling Rivalry

"too short" (Shakespeare I i). She tells him "I am alone felicitate/ In your dear highness love" (Shakespeare I i). In this we see...

William Shakespeare's A Midsummer Night's Dream and the Supernatural

supernatural. Even before the humans enter the forest, and Oberon and Titania become involved in playing tricks on the humans thro...

Closely Reading Ophelia's 'Mad' Songs in William Shakespeare's Hamlet Act IV, Scene V

where hours were spent singing songs and learning nursery rhymes. When Gertrude inquires as to how she is doing, Ophelia sings, "...

William Shakespeare's Characters Macduff and Macbeth

Macbeth says only "We will speak further" (I, v, 71). The next time we see Macbeth he has a long soliloquy in which he enumerates...

Persuasiveness of Iago in William Shakespeare's Othello

lines of the opening curtain, Roderigo says "Thou toldst me thou didst hold him in thy hate" (I, i, 7), to which Iago replies, "De...

Fourth Act of William Shakespeare's Macbeth

with Macbeth as Malcolm states, "Come, go we to the king; our power is ready;/ Our lack is nothing but our leave; Macbeth/ Is ripe...

Mel Gibson's Cinematic Interpretation of William Shakespeare's Hamlet

(like Mel Gibson in the 1991 film) has no interest in playing him as an apologetic mope" (Ebert). In the written play there is a...

William Shakespeare's Hamlet and the Characters of Ophelia and Queen Gertrude

have a woman who does not necessarily understand what is going on with Hamlet. Both of them are deeply concerned with Hamlets ment...

William Shakespeare's King Lear and the Representation of Edmund as a Power Opportunist

maximum benefit, and his practical reaction is immediate action (Cahn 146). As Victor L. Cahn noted in his consideration of Edmun...

Climaxes in William Shakespeare's King Lear

there, she might have added a dose of common sense to the proceedings, and pointed out to her husband that dividing the kingdom am...

Suffering in William Shakespeare's King Lear and the Book of Job

finally restored by God to his previous state of good fortune when he realizes that, as a human being, he is insignificant next to...

Role of Bianca in William Shakespeare's Taming of the Shrew

good enough for her. Another issue that Bianicas situation brings up is the sign of the times. These days, wed scratch our...

William Shakespeare's Hamlet and the 'Poisoned Ear' Motif

sent from God, and in return, the monarch was expected to keep their best interests at heart and to protect them. Not only h...

William Shakespeare's Hamlet and the Theme of Conflict

that Hamlet must seek vengeance for the crime. This begins the powerful intrigue in the play that is filled with conflict. In t...

Organized Crime Syndicates and Commercial Burglaries

but commercial burglaries are up (Star Tribune 02B). For many reasons, burglars find commercial establishments a better target th...

King John's Character in King John by William Shakespeare

In ten pages a character analysis of King John as featured in Shakespeare's play of the same name is presented. Six sources are c...

Judaism in the Works of Franz Kafka

In five pages the ways in which Judaism ins represented in Franz Kafka's works are examined with an emphasis upon his story 'Metam...

American Theatrical Realism in the Plays of Eugene O'Neill and Tennessee Williams

In nine pages American dramatic realism is discussed in an analysis of Eugene O'Neill's play Desire Under Elms and Tennessee Willi...

Tolerance Perspectives of Mary Shelley and William Godwin

In five pages a protagonist analysis of Frankenstein by Mary Shelley and The Adventures of Caleb Williams by William Godwin serves...