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Essays 31 - 60

Opening the Mind's Door in Heart of Darkness by Joseph Conrad

In six pages this research paper presents the argument that in Heart of Darkness, Conrad sought to open reader's minds to the impe...

Imperialism Symbols in Heart of Darkness by Joseph Conrad

It is no surprise that Conrad was a critic of British colonialism in Africa. This was not a bitter disregard for the whole country...

Modernism in Heart of Darkness by Joseph Conrad

In five pages this paper examines the novel by Joseph Conrad within the context of modernism. Three sources are cited in the bibl...

Concept of Modernism and Heart of Darkness by Joseph Conrad II

In five pages romanticism and modernism are compared in this consideration of Heart of Darkness by Joseph Conrad. There is 1 sour...

Cultural Perspective of Heart of Darkness by Joseph Conrad

In five pages this novel by Joseph Conrad is examined in a cultural consideration of racism that was inherent during the times in ...

Francis Ford Coppola's Film Apocalypse Now and Joseph Conrad's Novel Heart of Darkness

In four pages this paper compares the novel with the film. Three sources are cited in the bibliography....

Racist Concepts and Heart of Darkness by Joseph Conrad

"unhappy savages" passes by, offers a reminder to his audience onboard the Nellie (and to readers) that initially seems completely...

Marlow in Heart of Darkness by Joseph Conrad

the fact that the universe makes perfect sense if only one views it from the proper angle (McLynn PG). Basically, it is the langu...

Historical and Social Perspectives of Heart of Darkness by Joseph Conrad

upon the concept of language is clear when one considers why it rests so uncomfortable between that of mimetic realism and moderni...

Heart of Darkness by Joseph Conrad and the Character of Marlow

In five pages this paper evaluates the actions of Marlow in Joseph Marlow's Heart of Darkness in order to determine whether or not...

Joseph Conrad's Heart of Darkness, Henry James' Turn of the Screw and Evil

the Suppression of Savage Customs in which he claims that the white man in Africa must "necessarily appear to them [savages] in th...

Characters of Marlow and Lord Jim in Joseph Conrad's Lord Jim

In five pages this paper examines the effectiveness of the novel's third person narrative and examines the relationship between Ma...

Anatole France's Gods Will Have Blood and Joseph Conrad's Heart of Darkness

In five pages this paper compares the themes of justice and human cruelty within the context of these works. There are 2 sources ...

Comparative Analysis of Francis Ford Coppola's Film Apocalypse Now and Joseph Conrad's Novel Heart of Darkness

appears to be an observer in many ways, merely retelling a tale, Willard is a man who is driven by some uncontrollable force. It i...

Comparative Analysis of Francis Ford Coppola's Film Apocalypse Now and Joseph Conrad's Novel Heart of Darkness

Development in the Book and the Movie Marlow and Willard each see themselves as men of action. Both believe themselves to b...

Madness in Francis Ford Coppola's Apocalypse Now and Joseph Conrad's Heart of Darkness

of this mad ivory merchant, Kurtz; as part of his piloting job, he travels deep into the heart of the jungle with the idea of find...

Comparison of the Characters Featured in Gustave Flaubert's Madame Bovary and Joseph Conrad's Heart of Darkness

In six pages this paper compares the development of characters and 3rd person narrator uses in these novels by Gustave Flaubert an...

Joseph Conrad's Heart of Darkness and Symbolism

In five pages this paper analyzes Heart of Darkness by Joseph Conrad in terms of the author's employment of dual symbolism. There...

Contrast and Comparison of Joseph Conrad's Heart of Darkness and Francis Ford Coppola's Apocalypse Now

conflict in both "Heart of Darkness" and "Apocalypse Now." In the book, it occurs between the main characters. In the movie, it ...

Joseph Conrad's The Heart of Darkness and the Character Shifts of Marlow

back to tell the tale. He is older than his years, and his words are full of sadness and bittersweet regret(Adelman). His experien...

E.M. Forster's A Passage to India, Joseph Conrad's Heart of Darkness and Setting

will discover and find, much of which is seen in things that are black and things that are white. This critic notes that, "Signs ...

Michael Ondaatje's The English Patient, Joseph Conrad's Heart of Darkness, and Images of Darkness and Light

with the world of tradition, the world of civilization. Huddled within the womb-like interior of the Congo, he retreats ever furth...

Joseph Conrad's and Jane Austen's Narrative Techniques

difference in the narrative techniques the authors have used. For Austen there is an immediate theme set up, a perspective that of...

Jonathan Swift's Gulliver's Travels, Joseph Conrad's Heart of Darkness, and Imperialism

who assure the king that Gulliver is merely a trained animal and that the farmer, from which Gulliver was obtained, had trained hi...

Self in Joseph Conrad's The Secret Sharer

and mankinds necessity for interdependence (Galloway). This is an aspect that clearly speaks of leadership and maturity for witho...

Comparative Analysis of Ralph Ellison's Invisible Man and Joseph Conrad's Heart of Darkness

reckless without hardihood, greedy without audacity, and cruel without courage" (Conrad 102). In Ellisons novel we see a young B...

Mary Shelley's Dr. Victor Frankenstein, Joseph Conrad's Kurtz and Human Personality

In five pages this paper applies the human personality theories of Sigmund Freud to an analysis of these two classic literary char...

Joseph Conrad's Heart of Darkness and Kurtz Character Analysis

and his lack of desire for monetary gain at their expense. What the student may wish to expound upon at this point is that man is ...

Joseph Conrad's 'The Lagoon'

thinks the woman will die. Arsat is very sad and while he waits out the long night he begins to tell his friend about how he came ...

Order of Chaos in Joseph Conrad's Secret Agent and Virginia Woolf's To the Lighthouse

silent trout are all lit up hanging, trembling. So she saw them; she heard them; but whatever they said had also this quality, as ...