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William Shakespeare's King Henry V and Hamlet Directed by Sir Laurence Olivier

for the rest of the world, There will never, never be another Laurence Olivier" (69). The article goes on to report that at the "s...

Comparison of John Webster's The Duchess of Malfi and William Shakespeare's Twelfth Night

pining away because of his unrequited love for Olivia, who also has a potential suitor in Sir Andrew Aguecheek. Olivia wants no m...

William Shakespeare's Infamous Couple Lord and Lady Macbeth

indicates, Lady Macbeth provides the necessary motivation for the initial murder. She tells Macbeth that if she had sworn an oath ...

Four Questions on William Shakespeare's Hamlet

true circumstances of her first husbands death, and the exact nature of her guilt. There does not appear to be much in the play th...

William Shakespeare's Hamlet and Geoffrey Chaucer's 'Wife of Bath' from Canterbury Tales

the witch may well have been incredibly deceptive and conniving in her involvement with the knight, and in this we can see the pre...

Desdemona and the 'Jewel' Motif Recurrence in William Shakespeare's Othello

forthright and courageous. Coupled with these admirable characteristics, Desdemona also harbors a significant moral sensitivity a...

Romantic Love Psychology and William Shakespeare's Much Ado About Nothing

humble thanks: but that I will have a recheat winded in my forehead, or hang my bugle in an invisible baldrick, all women shall pa...

Poetic Comparison of William Shakespeare's 'Sonnet 127' and Sir Philip Sidney's 'Astrophil and Stella Sonnet 72'

In Sonnet 72, it becomes evident that the initial sexual flush is still very much in evidence, but the references to the distant h...

Suicide or Murder of Ophelia in William Shakespeare's Hamlet

the water by someone. As such her death is not an obvious murder. But, do we consider it murder if she was so distraught by the cr...

Comparative Analysis of Prospero and Vincentio in William Shakespeare's The Tempest and Measure for Measure

city, broadening his knowledge, which, in turn, improves his skill as a ruler. While there is a logical explanation for his knowle...

William Shakespeare's 'Absent' Mothers in Six Plays

"What, will you not suffer me? Nay, now I see / She is your treasure, she must have a husband; / I must dance bare-foot on her we...

Freudian Psychology in D.C. Thomas' The White Hotel and William Shakespeare's A Midsummer Night's Dream

interacting systems, the id, the ego, and the superego. The id is, according to Freud, the original system of the personality up...

Renaissance Racism and William Shakespeare's Othello

to Todorov, the Spaniards could not conceive of the Native Americans as "equally human but culturally different" (Berry 315). The...

Comparing William Shakespeare's Plays The Tempest and A Midsummer Night's Dream

and become crazy from the heat, so to speak. While preparations are commencing for the upcoming wedding between Theseus, the Duke...

William Shakespeare's Romeo and Juliet and Religious Imagery

speech associates her with a shrine, a religious object, and then offers up his lips as pilgrims. Pilgrims often made journeys to ...

Figurative Language in Two of Shakespeare's Plays

a wound. / But, soft! what light through yonder window breaks? / It is the east, and Juliet is the sun. Arise, fair sun, and kill...

William Shakespeare's King Lear and its Christian Content

persecuted and killed for their faith. We also note that throughout the play Lear slowly develops into a man who understands hi...

William Shakespeare's Twelfth Night, Charles Dickens' A Christmas Carol, and Epiphanies

all of his lessons come into play and culminate to create a powerful epiphany. We note some of this in the following excerpt: "Spi...

Women's Roles in William Shakespeare's Taming of the Shrew

husbands duty to lead his wife toward proper behavior. Inherent in the relationship between God and humanity, which the marriage ...

William Shakespeare's Hamlet, and Queen Gertrude Following Act III, Scene ii

in bed" (III.ii.206-209), then following-up with the equally matter of fact declaration, "If, once a widow, ever I be wife!" (III....

William Shakespeare's Hamlet, Minor Characters and Humor

agrees that this scene is enlightening on Hamlets background and character. In fact, Bloom argues that loosing Yorick, who died in...

William Shakespeare's As You Like It and Aphra Behn's Rover

but she keeps her emotions in check so that she can carry off her masquerade as a man. When Rosalind confronts the Dukes accusat...

Comparative Analysis of Ralph in Lord of the Flies by William Golding and William Shakespeare's Hamlet

his foul and most unnatural murther" (I.v.29). Hamlet will need all of his inner resources to successfully meet this crisis, for ...

Drama of William Shakespeare's Othello

verbal appearance and actual reality that Othello addresses throughout the play, wavering back and forth as a means by which to es...

Comparing Laurence Olivier's 1948 Film 'Hamlet' with William Shakespeare's Play

subject which had been taboo in Shakespeares time - with Ophelia), betrayal (Queen Gertrudes incestuous marriage to her brother-in...

William Shakespeare's Othello and Its Pleasurable Aspects

actions, in terms of black and white, good and bad. It is axiomatic that people wish to see those they regard as "good" as incapab...

Comparing William Shakespeare's The Tempest and Richard III and Themes of Justice and Destiny

especially apparent when critically examining Shakespeares historical play, Richard III and his final work, the dark comedy, The T...

Accountability of Claudius in Causing Sorrow in William Shakespeare's Hamlet

life, consuming him. It is this rage that eventually drives him to madness and murder. It seems ironic that Claudius, Laertes, a...

Character Noting in William Shakespeare's Much Ado About Nothing

Likewise, Beatrice vows that she will never marry. However, the audience can see from the beginning that there is an attraction be...

Comparative Analysis of Krogstad in Henrik Ibsen's A Doll's House and Iago in William Shakespeare's Othello

shall my purpose work on him" (Shakespeare I iii). From there on out we begin to realize that we, as the audience, are the only on...