SEARCH RESULTS

YOU WERE LOOKING FOR :Defiance in Sweat by Zora Neale Hurston

Essays 1 - 30

Defiance in 'Sweat' by Zora Neale Hurston

and the house that she purchased with sweat and labor. However, Delia makes it clear that she will not be driven out. She tells hi...

Good and Evil in 'Sweat' by Zora Neale Hurston

husband who appears suddenly, as a snake it seems, which is represented by the whip he scares her with. In this we can symbolicall...

Snake Symbolism in 'Sweat' by Zora Neale Hurston

her we see this as representative of the Devil, but the Devil will, as Delia suggested, is going to make sure Sykes got what was c...

Significance of the Snake in Zora Neale Hurston’s Short Story, ‘Sweat’

on charming it much as he believes he has charmed most of the towns women, and confining Delia to the home for years is comparable...

How Women Are Treated in "Sweat" by Zora Neale Hurston

refusal to come to Sykes assistance after the snake bites him represents the decline in her spirituality, the sweat of her hard wo...

Gender Relations in Zora Neale Hurston's 'Sweat' and Their Eyes Were Watching God

with Sykes tormenting her with a whip that mistakes for a snake. This image carries with it the historical weight of slavery, as...

Delia Today An Analysis of Sweat by Zora Neale Hurston

The writer argues that this story is character driven, and that this means Delia’s actions would not change much no matter what ti...

Black Feminism in 'How It Feels to Be Colored Me' and 'Sweat' by Zora Neale Hurston

feminism, and on the realities of women in general. Some of those statements are presented in her 1926 short story "Sweat" and he...

Self Definition Quest of Janie Crawford in Their Eyes Were Watching God by Zora Neale Hurston

In a paper consisting of two pages this paper discusses how the action of this novel by Zora Neale Hurston is propelled by the pro...

Mules and Men by Zora Neale Hurston and Folklore

In seven pages this consideration of Mules and Men by Zora Neale Hurston analyzes how folklore functions. Three sources are cited...

Harlem Renaissance and Zora Neale Hurston

her age and a man that treats her badly. In many ways he enslaves her and she feels helpless to leave him. Finally, Janie shares t...

Modernism and Their Eyes Were Watching God by Zora Neale Hurston

She received an associates degree from Howard, which did not benefit her in any material way; following her college graduation, sh...

Plot, Florida, and Literary Quality of Their Eyes Were Watching God by Zora Neale Hurston

In seven pages this paper examines how 1930s' Florida life is presented, literary aspects, and plot significance of Zora Neale Hur...

'African Time' in Their Eyes Were Watching God by Zora Neale Hurston

Clack or 'African time' is conceptually defined within the context of Their Eyes Were Watching God by Zora Neale Hurston in a pape...

Dust Tracks on a Road Autobiography by Zora Neale Hurston

home at an early age. Hurston described this period of her life as "a series of wanderings." She did occasional work as a wardrobe...

Sexuality in Seraph on the Suwanee by Zora Neale Hurston

This paper examines the sexuality featured in this 1948 final novel by Zora Neale Hurston in five pages. Five sources are cited i...

Self Discovery in the Stories 'In Country' by Bobbie Ann Mason and 'Mules and Men' by Zora Neale Hurston

The self discovery journey and sense of place featured in these works are contrasted and compared in five pages. Two sources are ...

Life of Zora Neale Hurston in Their Eyes Were Watching God and Dust Tracks on a Road

be rash and foolish for awhile. If writers, were too wise, perhaps no books would be written at all. Anyway, the force from somewh...

Feminist Reading of Their Eyes Were Watching God by Zora Neale Hurston

that never completely heals. She was humiliated by her slave master, who raped her, impregnated her, and beaten by his wife who t...

Their Eyes Were Watching God and Zora Neale Hurston's Use of Dialect

dialect, plain speaking, and easily conversational (Bloom 95). The subject of local gossips whispers, the thrice-married Janie co...

Religious Symbolism in Hurston’s “Sweat”

cultures," and is always a figure of evil (Champion). Delia is busy working, when she is frightened out of her wits: "Just then so...

Wives and Crime in Trifles and Sweat

first introduced to the condescending nature of men in general when one man says, in relationship to the state of the house, "Not ...

Token Whites in the Works of Zora Neale Hurston

begin to take on the vestiges of their prior identity to African-Americans. They were the providers of work, that work being very...

Ending Ambiguity in the Works of Zora Neale Hurston

who will stand on her own and no longer stand for physical abuse. Her husband, however, subconsciously knows that he has no pow...

Imagery & Dialect/Hurston’s Their Eyes Were Watching God

nothin" but what we see. So de white man throw down de load and tell de nigger man tuh pick it up. He pick it up because he have t...

Comparing Zora Neale Hurston and Langston Hughes

In five pages this research paper compares and contrasts Zora Neale Hurston and Langston Hughes whose works flourished during the ...

Writings of Zora Neale Hurston and Chinua Achebe on Society and the Individual

In 5 pages this paper considers how the authors portray society and the individual in the character of Janie Crawford in Zora Neal...

Zora Neale Hurston's Autobiography Dust Tracks on a Road

This research paper critically reevaluates Zora Neale Hurston's autobiography Dust Tracks on a Road originally published in 1942 i...

Three Literary Protagonists Improving Their Lives

An analysis consisting of five pages compares the ways in which three protagonists attempt to improve their lives. The works exam...

Zora Neale Hurston's Writings and Voodoo as Culture, Myth, and Religion

Voodoo is the focus of this paper consisting of eleven pages and considers how it is depicted in Zora Neale Hurston's writings and...