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Essays 481 - 510

Rear Window Film and Feminist Theories of Cinema

the director and the male filmgoer) receive a sexual thrill from watching the victimization of women (Williams 706). As one of th...

Cinematic Structure and Coding of the Film Gone with the Wind

in structuralist models, researchers often examine the underlying structures which occur beneath the actions or speech of the indi...

Artist Myth and Cinema

1956 account of Vincent Van Gogh leaves that question open in his sympathetic portrayal of the artist" (TCM, 2003). When watchi...

Chantal Ackerman and Her Films Je, Tu, Il and Elle and the Eighties

attitude which pervades most of her works, even today, it can be stated. This is because feminism was asking women to redefine the...

A Business Development Case Study

cars in year 4. This is a luxury market, and therefore less price sensitive, whilst it is good to keep car stocks to a minimum thi...

Cinematic Style, Influence, and Impact of Francis Ford Coppola

in his 30s. Coppola, born in 1939 in Detroit, Michigan to an actress mother (Italia) and musician father (Carmine) grew up in Quee...

William Faulkner's 'A Rose for Emily' and Other Examples of Eccentricity

are similar to Emilys. The characters discussed are Carrie, from the film "Carrie," Norman Bates from the film "Psycho," Eleanor f...

Epic Hero Luke Skywalker in Star Wars

given a task to perform and in doing so derives some sort of personal meaning from it. He may meet with a great series of misfortu...

Reality and Films

Indeed, by looking at the role of the women in the movie it is a reflection of the social conditions. There is a reflection of the...

Director Quentin Tarantino and Postmodernism

(Rombes). Rafferty (1997) explains that the postmodern film is built on the film noir genre, but that a feature of postmodernism ...

1920s' Soviet Films and the Uses of Montage

of tape and combines them to emphasize their meaning. It is a method by which through two unrelated shots we may create a third an...

Howard Hawks' 1946 Film The Big Sleep

of the classic noir characteristics, it also thumbed its nose at the use of flashbacks. There were no voice-over narrations, with ...

Alfred Hitchcock, the Cinematic Suspense Master

In six pages this paper examines the cinematic mastery of film director Alfred Hitchcock and some of the techniques he employed th...

Comparative Analysis of The Wizard of Oz Text and 1939 Film

not intend for the work to provide the surreal aura that Emerald City became in the filmed classic. The film was a musical and thi...

1999 Film Sleepy Hollow by Director Tim Burton

In seven pages this report analyzes Tim Burton's film Sleepy Hollow in terms of Johnny Depp's performance and cinematic influences...

Mary Shelley's Frankenstein and Director James Whale's 1931 Film Interpretation

In five pages the original nineteenth century novel by Mary Shelley is compared with the 1931 cinematic production by director Jam...

Artistic Expression in Film

This paper examines how artistic expression can be conveyed through cinematic expression. The author also addresses censorship, c...

French Cinema's 'New Wave'

In 5 pages this paper discusses the Nouvelle Vague or New Wave French cinematic movement of the Fifties and Sixties in a considera...

Feminist Cinematic Theory and Psychoanalysis

In five pages this paper examines psychoanalysis' relevance to feminist cinematic theory in a consideration of the article 'Masoch...

Female Characters as Spectators in Early Cinema

This paper examines the heavily male-influenced film industry as it related to the roles played by female characters. The author ...

Apocolypse Now

Coppola also uses the aspect of theater, which acknowledges that each member of the audience will bring with them, to the theater,...

Film Director John Schlesinger

In five pages this research paper examines the cinematic career of filmmaker John Schlesinger in an artistic consideration of such...

Filmmaker Tim Burton

In seven pages this eccentric and innovative film director is examined in terms of craft, cinematic output, and human insights. Si...

Philosophical and Aethetic Comparison of 'Schindler's List' and 'The Battle Of Algiers'

This is a 5 page paper that considers two different cinematic filmmaking approaches to specific battles, one from a Third World pe...

Cinematic Technique Known as 'the Long Take'

In six pages this paper examines how filmmakers such as Hou and Orson Welles have employed the long take cinematic technique in su...

Stanley Kubrick's Auteur Film Style in A Clockwork Orange and 2001 A Space Odyssey

In eight pages this paper examines Kubrick's definitive auteur film styles as they are represented in these films and compares the...

Realism in Martin Scorsese's Film Raging Bull

In five pages cinematic realism is compared and contrasted with film noir and surrealism with the focus being how in the film Ragi...

Film Noir and McCarthyism

and the even larger political responses of the Truman administration created a realm in which the primary purpose was to protect t...

Reviewing A Long Kiss Goodnight Film

In six pages the 1996 film directed by Renny Harlin, written by Shane Black and costarring Geena Davis and Samuel L. Jackson is di...

Comparing Fictional and Documentary Films

then put it in a corner and make it a documentary--not my life, not possibly my life " (qtd. in Lim, 1999, p.184). Roth makes a go...