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Essays 91 - 120

Persuasiveness of Iago in William Shakespeare's Othello

lines of the opening curtain, Roderigo says "Thou toldst me thou didst hold him in thy hate" (I, i, 7), to which Iago replies, "De...

Conflicts Rooted in Anger in William Shakespeare's Tragedies King Lear, Hamlet, and Othello

In three pages the emotional conflicts that are based in anger are examined in terms of the protagonists behavior' and the importa...

William Shakespeare's Use of Sexuality in the Plays Antony and Cleopatra, Hamlet, and Othello

In twelve pages this paper examines how sexuality is thematically portrayed in these plays in terms of obsession, interracial love...

Female Characters in William Shakespeare's Othello and Hamlet

In each, their gestures of submission paradoxically enable the expression of desire. This shows female characters that inhabit th...

Russ McDonald's 'Presentational Theater' and William Shakespeare's Coriolanus, Hamlet, and Othello

This paper consists of five pages in which Russ McDonald's 'presentational theater' theory is used to analyze illustrations from S...

William Shakespeare's King Lear, Othello, and Hamlet in Terms of Themes and Dramatic Structures

In five pages the dramatic structures and themes are compared in this examination of a trio of William Shakespeare's plays. Two s...

Oliver Parker's Film Interpretation of William Shakespeare's Othello

In six pages this paper examines the alterations Oliver Parker made to Shakespeare's play in his 1990s' interpretation in terms of...

Tragic Hero Exemplified by William Shakespeare's Othello

This paper discusses why Shakespeare's protagonist sufficiently qualifies as being a tragic hero in a consideration of the charact...

William Shakespeare's Characters Edmund in King Lear and Iago in Othello

In three pages this essay compares these two Shakespearean villains in terms of their similarities and the lack of sympathy each e...

Iago's Character in William Shakespeare's Othello II

In three pages this paper analyzes the complexities of the Iago character in Othello by William Shakespeare. There is no bibliogr...

William Shakespeare's Othello and Women

with trouble as he holds Desdemonas handkerchief. Bianca notes it and states: "O Cassio, whence came this? This is some token from...

Iago's Shame in Act 3, Scene 3 of William Shakespeare's Othello

for the Moor, and he does so with artful and apparent reluctance. He plants the seed of doubt for Othello without ever maki...

William Shakespeare's Othello and a Single Scene Analysis

a hundred times Wood me to steal it; but she so loves the token, For he conjured her she should ever keep it, That she reserves it...

Revenge and Doubt in William Shakespeare's Othello and Hamlet

and situations in black and white terms. Therefore, he is less tolerant of sin and more judgmental then his Danish counterpart. Wh...

Act I, Scene iii of William Shakespeare's Othello

Othellos stories that she would fall in love with this dark soldier. Furthermore, Desdemona has always been a meek and gentle daug...

Play and 1995 Film Version of William Shakespeare's Othello

an extremely abbreviated version of the play. Well over half the dialogue of the original play has been condensed or eliminated i...

Jealousy and Love in William Shakespeare's Othello

to why Iago hates Othello to such a degree. Presumably, Iago is angry over being passed over for promotion in favor of Cassio. The...

Theme of Deception in William Shakespeare's Othello and Hamlet

also clear that Shakespeare is not writing the play from the perspective that it is about the problems of interracial marriage. I...

Renaissance Racism and William Shakespeare's Othello

to Todorov, the Spaniards could not conceive of the Native Americans as "equally human but culturally different" (Berry 315). The...

William Shakespeare's Othello Act I and Iago's Persuasiveness

(Shakespeare I i). In this we see a subtle indication that he has ended his anger and is now humble, doing what he must in followi...

Past and Present Racism and William Shakespeare's Othello

to share Iagos disgust and refers to Desdemonas acceptance of Othello as her "gross revolt" (I.i.134) and Roderigo shows his dista...

Racism in William Shakespeare's Othello

connection between Iagos perception of race and the cultural perception that "black" equates with "evil." This perception of race ...

Desdemona and the 'Jewel' Motif Recurrence in William Shakespeare's Othello

forthright and courageous. Coupled with these admirable characteristics, Desdemona also harbors a significant moral sensitivity a...

Critically Exploring William Shakespeare's 'Othello' from a Marxist Perspective

a black man was not suitable to be a ruler. In clever fashion, he sets about to accomplish his goal. In fact, when Iago and Roder...

William Shakespeare's Othello and Its Pleasurable Aspects

actions, in terms of black and white, good and bad. It is axiomatic that people wish to see those they regard as "good" as incapab...

Comparative Analysis of Krogstad in Henrik Ibsen's A Doll's House and Iago in William Shakespeare's Othello

shall my purpose work on him" (Shakespeare I iii). From there on out we begin to realize that we, as the audience, are the only on...

Relationships Between Sons and Their Mothers in "The Glass Menagerie" and "Hamlet"

Young Prince Hamlet of Denmark has been dealt two blows in rapid succession. First, while away at college, he learns his father h...

Emilia and Desdemona in William Shakespeare's Othello

In five pages these two wives victimized by their spouses are examined in a similarities and differences comparison and contrast. ...

Racism in William Shakespeare's Othello

that is perverted by the subterfuge and overt evil of Iago. Examining the character of Iago is enlightening to anyone who has ever...

Deceit and Iago in William Shakespeare's Othello

In short, then, Othello has it all, and in Iagos eyes, he has nothing. It is apparent that Iago has worked for many years in the s...