YOU WERE LOOKING FOR :Genre Critique of Alfred Hitchcock
Essays 1 - 30
In five pages this paper examines the implied genre film criticisms of Alfred Hitchcock. Six sources are cited in the bibliograph...
In five pages this research paper considers how voyeurism is depicted in this 1954 suspense thriller particularly as it relates to...
This paper consists of ten pages and discusses how the themes of castration and voyeurism are featured in the conflict between ant...
In a report consisting of six pages the notion of seemingly harmless creatures turning on innocent residents of a northern Califor...
intended victim to deal with a situation, the strength or the determination of the one perpetrating the horror, or even the succes...
the director and the male filmgoer) receive a sexual thrill from watching the victimization of women (Williams 706). As one of th...
action shot at a car race. To rely on an old clich?, he is "bored to tears." He spends most of his convalescent time sitting at th...
and then depends on how the audience is prepared (along with the primary character) throughout the movie to deal with a particular...
In thirteen pages Alfred Hitchcock's 1960 suspense masterpiece is analyzed in terms of effect, form, and function with a cinematic...
the most louche, laidback villains in screen history" (Brooke, 2005, PG) emphasises Thornhills naivety as far as espionage and mur...
Jerry and chase them through the hotel. The two hide under a table in a banquet room, only to discover that its the very room in ...
out Dil, Jodys girlfriend. Ironically, painfully, and even humorously, Dil is actually a man (Hooper 43). It is worth noting t...
at a blackboard writing words. As soon as he completes the "d" in the last word the tape is over. The running time for the tape is...
who do not know how to live life and are brainwashed by books and academia" (Chan). In essence, the professor understands the more...
film manipulates the audience at every turn, so that the audience is compelled to examine their own sympathies and perspective. ...
Mitch, a man completely under the control of his mother. But, we really do not necessarily believe that Melanie wants this man. Sh...
his cinematic apprenticeship working for British studios - working first as an artist, set designer and directors assistant before...
know the woman, named Madeline, he falls in love with her. However, Madeline succeeds in committing suicide and Scotty is helpless...
In five pages this paper examines how man's abuse of nature has dire consequences in Alfred Hitchcock's 1963 film The Birds. Four...
In five pages this paper discusses Rear Window by director Alfred Hitchcock in an analysis of its opening scene cinematography. F...
In eight pages the changes that occurred in the horror cinematic genre between 1960 and 1996 are examined in a contrast and compar...
In six pages this paper examines the approaches to the horror genre by directors Alfred Hitchcock and Steven Spielberg in this con...
film. More credits fall and slide into place, which foreshadows how Thornhill will later slide, nearly falling off the face of Lin...
rolling down a hillside and coming ominously to rest" (Morris, 2000). Following the template set by Caligari, Lang also delves int...
they were in the wrong place at the wrong time. In The Birds, for instance, Melanie (Tippi Hedren) pursues Mitch (Rod Taylor), a m...
the side of the road in the midst of miles of cornfields. It is a bright, sunny afternoon and the prairie seems benign after the c...
between them by the feelings they evoke in us. Walters writes that tension is one of the most important barometers of audience res...
In seven pages the heterogeneity of such British films of the period as Alfred Hitchcock's 1938 The Lady Vanishes and Zoltan Korda...
This paper analyzes and reviews Alfred Hitchcock's 1959 classic film, North by Northwest. This two page paper has one source list...
In eight pages this paper examines the connection between realism and melodrama that existed in British cinema during this time pe...