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Essays 61 - 90

Mary Shelley's Frankenstein and Evelyn Fox Keller's Reflections on Gender and Science

In five pages this paper compares these two works in consideration of gender empiricism and how science directs its own study fiel...

Comparative Analysis of Voltaire's Candide, Toni Morrison's The Bluest Eye and Mary Shelley's Frankenstein

In five pages this paper examines how society changed from individual acceptance to individual oppression in a comparative analysi...

Aldous Huxley's Brave New World, Mary Shelley's Frankenstein, and Ethics

In eight pages ethical dilemmas such as cloning and genetic engineering are examined within the context of these two classic works...

Biblical Adam and the Creature in Mary Shelley's Frankenstein

In 7 pages these two creations are compared in terms of the intentions of their creators and the reactions they inspired with God ...

English Romanticism in Mary Shelley's Frankenstein

underpinning of romanticism, the innocence and exaltation of the common man. The auto biographical nature of Mary Shellys Fr...

Stevenson's Dr. Jekyll and Mr. Hyde Vs. Mary Shelley's Frankenstein

This paper compares and contrasts these two classic literary works. This seven page paper has eight sources listed in the bibliog...

Questing in Mary Shelley's Frankenstein and D.H. Lawrence's The Virgin and the Gipsy

In five pages this paper analyzes how these two literary works portray the notion of 'the quest.' There are no other sources list...

Jean Jacques Rousseau's Confessions, Mary Shelley's Frankenstein and the Elements of Autobiography

In a paper consisting of five pages Barbara Johnson's theory that autobiography involves a child's narrative as symbolically killi...

Comparing Mary Shelley's Creature and Dostoyevsky's The Underground Man

In six pages this essay compares the similarities and differences between these two characters featured in Shelley's Frankenstein ...

Creation of Life in Mary Shelley's Frankenstein

In five pages this paper argues that Victor Frankenstein steadfastly refuses to feel any type of guilt or regret regarding his sci...

Overview of Mary Shelley's Frankenstein, or the Modern Prometheus

In five pages this paper considers contemporary cloning within the context of the Gothic novel by Mary Shelley. Three sources are...

Defense of the Monster in Mary Shelley's Frankenstein

Monster, who is Frankensteins technological "son." While having the stature of a full-grown adult. Shelley makes it clear that the...

Karl Marx and Mary Shelley's Frankenstein Creature

predicted in his Communist Manifesto that the inevitable overthrow of the bourgeoisie by the proletariat would first succeed in a ...

Films Based on Mary Shelley's Frankenstein

novel. However, the film adaptation was to have the monster say nothing at all, something which led Lugosi to declining the part. ...

Mary Shelley's Frankenstein, Emily Bronte's Wuthering Heights, and Individuality

enough within the character of Catherine to urge her to marry for money and social position, rather than innocent or passionate lo...

Mary Shelley's Dr. Victor Frankenstein, Joseph Conrad's Kurtz and Human Personality

In five pages this paper applies the human personality theories of Sigmund Freud to an analysis of these two classic literary char...

Victor Frankenstein, The True Monster in Mary Shelley's Frankenstein

would probably have forced him to consider the ramifications of his work. But since he has no one to answer to save his own opin...

Comparative Analysis of Mary Shelley's Frankenstein and Gustave Flaubert's Madame Bovary

In five pages this paper contrasts and compares these two works in terms of word usage and body concepts. Two sources are cited i...

Mary Shelley's Frankenstein and the Conflict Between Man and God

up in a "freethought household" (Madigan 48) and her mother had already written about womens rights while her father "a noted Util...

Mary Shelley's Victor Frankenstein Characterization

to life, he rejects it, hoping that the life he has brought into the world will simply die, erasing his mistake (Madigan 48; Franc...

Mary Shelley's Frankenstein and Director James Whale's 1931 Film Interpretation

In five pages the original nineteenth century novel by Mary Shelley is compared with the 1931 cinematic production by director Jam...

Mary Shelley's Victor Frankenstein as an Extension of His Own Creation

The protagonist of Frankenstein by Mary Shelley is the subject of this character analysis that includes Sigmund Freud's doubling p...

Fear Levels in Mary Shelley's Frankenstein

of my being" (Frankenstein). As with any newborn, his sensory impressions of the world are at first indistinct. He began to attemp...

'Female Monster' in Mary Shelley's Frankenstein

the position and the importance of the position, played by the female monster. In the main character, Victor Frankenstein, we a...

Mary Shelley's Frankenstein

in the first place. Frankenstein has two obvious choices. He can say I was not thinking of the Creature and was consumed by his ...

John Milton's Satan and Mary Shelley's Frankenstein Creature

In eight pages this paper compares the meanings contained within 'Paradise Lost' by John Milton and Frankenstein by Mary Shelley. ...

The Monster's Complexity in Mary Shelley's Frankenstein

This paper discusses the complexity of The Monster's personality. This five page paper has one source listed in the bibliography....

Feminine Nature and Mary Shelley's Frankenstein

and whose future lot it was in their hands to direct to happiness or misery, according as they fulfilled their duties towards me" ...

Society in Mary Shelley's Frankenstein

This paper discusses ethical and social themes presented in Shelley's classic novel. This five page paper has no additional sourc...

A Character Analysis of Victor Frankenstein in Mary Shelley's Frankenstein

The way in which Victor Frankenstein is presented in the first few chapters of the novel and whether he is depicted sympatheticall...