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Essays 31 - 47

Orson Welles and Citizen Kane

or arrogance, in life that would have made him proud to be the subject of a film. Kane was too simple for that in relationship to ...

Orson Wells and the Broadcasting Industry

enrolled in the Art Institute of Chicago.7 He traveled to Ireland in 1931, painting the countryside until he wound up in Dublin, w...

Citizen Kane

of Thatchers diary. Film components: Dissolves, flashback, deep-focus shots, long shots, close-ups. In the establishing long sho...

Pulp Fiction and Citizen Kane, Use of Sound

of sound in film can be understood by watching a scene from a film without the sound track. With no sound, the images, no matter h...

Film Techniques, Citizen Kane (1941)

This essay offers a description of film techniques used in "Citizen Kane," directed by and starring Orson Welles. Three pages in l...

1920s’ Berlin, German Expressionism, and the Architecture and Lighting in Orson Welles’ Film The Trial

Expressionists were predicting an urban catastrophe even before the First World War, and within the ruins that still existed in th...

Orson Welles' 1952 Film Othello

Iago - played by Michael MacLiammoir Iago is roughly thrust into the cage, and by means of a creaking iron wheel and pulley, the ...

Relating Orson Welles' The War of the Worlds to The Storyteller of Walter Benjamin

the pre-show disclaimer, coupled with Welles outstanding talent in bringing the story to life over the airwaves in the form of a t...

Movie Versions and the Original Play Othello by William Shakespeare

In eight pages this paper discusses the theatrical portrayals of Othello, Desdemona, and Iago in comparison with the films by Well...

Individualism and Utilitarianism in Orson Welles' Citizen Kane

In five pages the thematic development of individualism and utilitarianism as it relates to the characterization of Charles Foster...

Film Versions of William Shakespeare's Othello by Directors Orson Welles and Oliver Parker

In five pages this paper critiques 2 film interpretations of William Shakespeare's tragedy Othello. One source is cited in the bi...

Orson Welles' Citizen Kane and Frank Capra's Meet John Doe Cinematic and Comparative Analysis

tight close-up (Dirks, 1996). There is a menacing "No Trespassing" sign outside an old gate, and after panning up over a chain-li...

Use of Cinematography in Orson Welles' Citizen Kane

wealthy man puts his emphasis on money, power and manipulation; fails at politics and his domestic life and dies friendless and al...

Ichabod Crane vs. Brom van Brunt

also beautiful, fruitful, and peaceful, and that more than the ghost is what we think of when we read about the lush farms, the ri...

Macroeconomic Effects of the "Public Option"

goal of totally reforming all of US healthcare has been shelved, with the focus now being exclusively on health insurance. The na...

Vincent van Gogh's The Night Cafe in Arles

pure. But, the red is introduced halfway up the walls and carries up to the ceiling, where the vivid green is present. The red and...

American Experience and Change in Irving, Calisher, and Hawthorne

In four pages the acceptance of change among individuals are compared in the characterizations of Calisher's Greenwitch, Hawthorne...