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Essays 361 - 390

Comparative Analysis of the 'Poem of the Cid' Epic and Anthony Mann's 1961 Film El Cid

In three pages this paper discusses an epic in terms of characteristics and how thee are expressed in literature and on film in a ...

Politics in the Book and Film Primary Colors

In six pages this paper examines politics in the United States and how it is portrayed in the novel and cinematic versions of Prim...

Stylistic and Formal Characteristics of Gus Van Sant's 'My Own Private Idaho'

Such cinematic techniques as mise-en-scene are discussed in a paper consisting of 6 pages as thematic and narrative expression are...

Cinema and Aristotelian Considerations

In a paper consisting of five pages the cinematic adaptations of Who's Afraid of Virginia Woolf, Much Ado About Nothing, and Sween...

Movies and How the Dracula Character Has Evolved

Transylvanian aristocrat remained unchallenged for nearly twenty-seven years, and it was not until 1958, when the British actor Ch...

Analysis of the Italian Realist Film The Bicycle Thief

In five pages a cinematic analysis of Vittorio de Sica's 1948 film includes camera uses, production techniques and evaluates the e...

Citizen Kane from a Critical Perspective

One of the most innovative movies in cinematic history is Orson Welles' Citizen Kane. This paper examines Welles' techniques and w...

Analysis of Scream and Psycho Horror Movies

In eight pages the changes that occurred in the horror cinematic genre between 1960 and 1996 are examined in a contrast and compar...

Cinematic Classification of Documentaries, Comedies, and Dramas

expectations of the movies plot. The believability of characters is directly proportionate to the credibility of the plot. If a ...

Film Dramatizations of Geoffrey Chaucer's The Canterbury Tales

In six pages this research paper discusses 2 cinematic interpretations of The Canterbury Tales and argues that how filmmakers fail...

Novel and Cinematic Versions of A Passage to India by E.M. Forster

In four pages the novel and its film adaptation are thematically compared in terms of cinematic changes that were made. Six sourc...

Worldwide Environment and American Film Performers

is particularly evident in the spread of American culture seemingly to the far corners of the globe (Eslake 61). On practically e...

Cinema and the Depiction of African Americans III

In eight pages this paper discusses the cinematic portrayal of African Americans with stereotype reliance a primary emphasis. Ele...

Charlie Chaplin's Life and Cinematic Contributions

In thirty pages this paper discusses the controversial actor and director's life, cinematic contributions, politics, and the legac...

Twentieth Century Art of Cinema

In eight pages this report presents examines of twentieth century cinematic artistry. Four sources are cited in the bibliography....

Comparative Analysis of William Shakespeare's Play Hamlet and Kenneth Branagh's Film Adaptation

In six pages this paper compares the strong similarities between Kenneth Branagh's cinematic interpretation of Hamlet and Shakespe...

Federico Fellini's Film, La Dolce Vita

This paper examines the Fellini film, La Dolce Vita. The author discusses camera shots and angels, as well as design, decor, comp...

Eraserhead Film by David Lynch

Experimental films are discussed in this research paper consisting of six pages with Lynch's feature debut the focus of considerat...

Contemporary Perspectives on Romeo and Juliet by William Shakespeare

In five pages this paper examines the contemporary perspectives represented in the 1996 cinematic interpretation of William Shakes...

Films My Darling Clementine and Now Voyager and Their Representations of Class and Gender

In ten pages these cinematic melodramas of the Forties are examined in a discussion of meaning construction through class and gend...

3 Perspectives on Julius Caesar by Plutarch, William Shakespeare, and Joseph L. Mankiewicz

In six pages this paper discusses how Plutarch and Shakespeare presented Julius Caesar in comparison to Joseph L. Mankiewicz's 195...

Ian McKellan's Film 'Richard III' and Evil

In six pages this paper examines how evil is portrayed in this cinematic interpretation of William Shakespeare's 'Richard III' wit...

Privacy Invasion by the Media

In five pages this paper examines how privacy is intruded upon by the media in the name of news with cinematic examples provided t...

Consideration of Cinematic Art

In nine pages two stylistic modes Hollywood's classical narrative realism and modernist or avant garde are examined in terms of ho...

Art of Cinema from 1948 to 1965

In nine pages the ways in which cinematic art changed surprisingly little during this time period despite some avant garde detours...

Irish Filmmaker Neil Jordan

puzzle understand that they are nearly always involved in the penetration of a seemingly depthless surface of one person. However...

Film Prequel Star Wars Episode I The Phantom Menace

In five pages this film prequel is analyzed in terms of what it represents and its influence upon the two cinematic prequels to co...

Animation and the History of Motion Picture Cinematography

In five pages this paper discusses cinematic history in a consideration of animation and the evolution of cinematography. Four so...

Se7en and The Maltese Falcon Film Comparison

it. He disposes of his deceased colleagues desk, nameplate and widow in quick measure. Naturally, since the police are aware of ...

Horror Films and How They Have Evolved

Project" serves as an excellent example of a film-maker taking full advantage of the inherent fear of all modern humans regarding ...