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YOU WERE LOOKING FOR :Money The Gilded Six Bits by Zora Neale Hurston

Essays 31 - 60

William Faulkner, Zora Neale Hurston, and Modernism

her best friend, about Joe Starks, who is an ambitious man that soon becomes the mayor of a small town called Eatonville. But Jani...

Gender Relations in Zora Neale Hurston's 'Sweat' and Their Eyes Were Watching God

with Sykes tormenting her with a whip that mistakes for a snake. This image carries with it the historical weight of slavery, as...

America and Being Black and Female

love and cherish them for who they are. But it does not happen in these stories, nor does it seem to be happening within the moder...

Literary Fiction and Self Discovery

they move to a town that Joe commences to alter. He opens a store and becomes incredibly prosperous, but insists that Janie never ...

Life of Zora Neale Hurston in Their Eyes Were Watching God and Dust Tracks on a Road

be rash and foolish for awhile. If writers, were too wise, perhaps no books would be written at all. Anyway, the force from somewh...

A Comparative View of Female Protagonists

changes in her life have both positive and negative implications. At the onset of the story, Janie is a character who is unable t...

Literature and Dual African American Worlds

Me" Hurston writes, "I remember the very day I became colored...But I am not tragically colored. Someone is always at my elbow rem...

Defiance in 'Sweat' by Zora Neale Hurston

and the house that she purchased with sweat and labor. However, Delia makes it clear that she will not be driven out. She tells hi...

Literature and Domestic Abuse

boy dizzy; But I hung on like death: Such waltzing was not easy(Roethke). This is...

Feminist Views of Zora Neale Hurston's Their Eyes Were Watching God

her and keeps her confined out of jealousy. Things get worse as he begins to physically and emotionally abuse her. She eventual...

Zora Neale Hurston's Their Eyes Were Watching God and Marital Abuse

her story, she shares that her grandmother, a very strict woman and set in her ways, decides that Janie should be married off to s...

Harlem Renaissance and Zora Neale Hurston

her age and a man that treats her badly. In many ways he enslaves her and she feels helpless to leave him. Finally, Janie shares t...

Independence in 3 Works of Literature

his wife as one looks at a valuable piece of property which has suffered some damage" (Chopin 2). Women - wives, rather -...

Quest for the Purpose of Life in 'Absalom, Absalom!' and 'Their Eyes Were Watching God'

overrule her inherent independence as a strong, black woman by telling Phoeby she can "tell em what Ah say if you wants to. Dats ...

Songs of the Black Experience

a distinctly more female approach, as it openly deals with gender issues and missing womanhood. The author, herself, once remarke...

Janet St. Clair's Essay on Whiteness and Jim in Seraph on the Suwanee by Zora Neale Hurston

Ini nine pages this paper applies Janet St. Clair's essay to the 'whiteness' of the character Jim in this analysis of Seraph on th...

Mules and Men by Zora Neale Hurston and Folklore

In seven pages this consideration of Mules and Men by Zora Neale Hurston analyzes how folklore functions. Three sources are cited...

Self Definition Quest of Janie Crawford in Their Eyes Were Watching God by Zora Neale Hurston

In a paper consisting of two pages this paper discusses how the action of this novel by Zora Neale Hurston is propelled by the pro...

Zora Neale Hurston's Their Eyes Are Watching God and the Character of Janie Crawford

In 9 pages the complexities of Janie Crawford's characterization are examined in this analysis of Their Eyes Are Watching God by Z...

'African Time' in Their Eyes Were Watching God by Zora Neale Hurston

Clack or 'African time' is conceptually defined within the context of Their Eyes Were Watching God by Zora Neale Hurston in a pape...

Dust Tracks on a Road Autobiography by Zora Neale Hurston

home at an early age. Hurston described this period of her life as "a series of wanderings." She did occasional work as a wardrobe...

Sexuality in Seraph on the Suwanee by Zora Neale Hurston

This paper examines the sexuality featured in this 1948 final novel by Zora Neale Hurston in five pages. Five sources are cited i...

Black and White Worlds of Zora Neale Hurston

This paper examines how Zora Neale Hurston was able to coexist in both white and black literary circles in eight pages. Eight sou...

Black Feminism in 'How It Feels to Be Colored Me' and 'Sweat' by Zora Neale Hurston

feminism, and on the realities of women in general. Some of those statements are presented in her 1926 short story "Sweat" and he...

Zora Neale Hurston and Henrik Ibsen on the Individual and Society

In five pages this paper examines the relationship between society and the individual as represented by the female protagonists of...

Zora Neale Hurston and the Fiction She Inspired

card ready, as this seemed to impress people and verify that, yes, an African American could be a public accountant. Mentally, Ann...

Nature Imagery in the Works of Zora Neale Hurston and William Wordsworth

are not representative of nature and he finds refreshment and nourishment in his memories, and now in his seeing nature again. ...

Good and Evil in 'Sweat' by Zora Neale Hurston

husband who appears suddenly, as a snake it seems, which is represented by the whip he scares her with. In this we can symbolicall...

Self Esteem in Zora Neale Hurston's 'How It Feels to Be Colored Me'

"deplored any joyful tendencies" in her, she was "their Zora" (Hurston). She was a confident young girl and this was a very impo...

Snake Symbolism in 'Sweat' by Zora Neale Hurston

her we see this as representative of the Devil, but the Devil will, as Delia suggested, is going to make sure Sykes got what was c...