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Offensive Art Forms in Stanley Kubrick's Film A Clockwork Orange

most fundamental theme or issue in this particular film involves the title. This title refers to an individual who is nothing more...

Comparing 'A Clockwork Orange' by Anthony Burgess with Stanley Kubrick's Film A Clockwork Orange

other supporting characters. In order to streamline the storytelling even more, the screen adaptation of A Clockwork Orange focus...

Stanley Kubrick's Auteur Film Style in A Clockwork Orange and 2001 A Space Odyssey

In eight pages this paper examines Kubrick's definitive auteur film styles as they are represented in these films and compares the...

A Clockwork Orange and The Shining Films by Auteur Director Stanley Kubrick

Symphony, to underscore elements of the theme and create contrast between the beauty of the classical music and the turbulence of ...

Comparing "The Shining" and "A Clockwork Orange" - The Diversity of Kubrick's Style

the closing shot of "The Shining", where the camera again slowly pans, this time from a wide view of the wall of a hotel ballroom ...

Stanley Kubrick's A Clockwork Orange and Depiction of Deviance

have readily characterized their discipline by a progression of determining steps beginning with the development of a sociological...

Cinematic Version of Anthony Burgess' A Clockwork Orange and the Problems Faced by Director Stanley Kubrick

In eight pages this paper discusses the problems filmmaker Stanley Kubrick struggled with while making his big screen adaptation o...

Kubrick/The Shining

one in which Danny Torrance, the seven-year-son of Wendy and Jack, has a vision of blood engulfing a hotel hallway in torrential w...

Technology and the Works of H.G. Wells and Stanley Kubrick

In seven pages this paper discusses the impact of technology upon humankind as considered in H.G. Wells' novels The War of the Wor...

2001 A Space Odyssey and Filmmaker Stanley Kubrick's Visual Style

the moon base known as Clavius (Falsetto 44). In perhaps the most memorable sequence, when Bowman travels "Beyond the Infinite," ...

Critiquing the Vietnam War Through Film

one-man conjecture about how Americas involvement in the Vietnam War according to the directors consistently biting tone; by provi...

Auteur Theory and its Validity

In five pages this paper discusses autheurism's validity in an analysis of Stanley Kubrick's films. Five sources are listed in th...

Archetypal Metaphors in A Clockwork Orange

who is so conditioned by the state that he is unable to survive in the real world. Finally, a violent past which he is unable to c...

The Character of Alex in A Clockwork Orange by Anthony Burgess and in Stanley Kubrick's Film Adaptation

primary theme within the whole novel, as well as the film, is that which asks us to look at ourselves, and our society, and see ho...

Stanley Kubrick's 1960 Film Spartacus

most of the country. Thought the Roman legions are shown to be quite disorganized and are at the end of their empires zenith, they...

American Social Violence, Racism, Sexism, the Vietnam War, and Stanley Kubrick's Film Full Metal Jacket

human. Analyzing how Kubrick utilizes the Vietnam War as a means by which to expose violence, sexism and racism inherent to Ameri...

Roman Attitudes Depicted in Stanley Kubrick's 1960 Film Spartacus

facts are strictly accurate in the portrayal of his life and death. But we can argue that in the film, despite the inaccuracies th...

Eyes Wide Shut Viewed Critically

Eyes Wide Shut was the last film Stanley Kubrick made. This paper offers an analysis and review of the film, including cinematic t...

Dr. Strangelove and Satire

This essay pertains to the satirical conventions that characterize Stanley Kubrick's "Dr. Strangelove." Three pages in length, one...

Silent v. Sound/Art in Film

"at heart, I was always a silent movie man" (Twatio 14). One reason why early silent films appear odd or stilted to modern audie...

Urban Life and Violence in America

people remember many strong disagreements with their first families. Battles during toddlerhood and adolescence are common and wil...

The Book 2001 A Space Odyssey by Arthur C. Clarke

the past thirty years as to which was "better" - "2001" the book or "2001" the movie. Not surprisingly the fans of Clarkes numero...

Burlesque and Fear in Films Dr. Strangelove and The China Syndrome

In six pages this paper contrasts and compares these films by directors Stanley Kubrick and James Bridges in terms of their portra...

Combat Films and Full Metal Jacket by Director Stanley Kubrick

closer together and provide cohesiveness to the group through a single-mindedness of purpose (Gehring 93). At no time does the gr...

2001 A Space Odyssey Film by Director Stanley Kubrick

opening sequence has been found buried beneath the surface of the moon. While Floyd and his colleagues are standing in front of th...

Art of Tennis

In five pages this paper examines the expressiveness of tennis which qualifies it as an art form....

Rembrandt's Self Portrait, William Shakespeare's King Lear and Their Portrayals of Old Age

In five pages this paper discusses how two different art forms depict the same topic - old age....

Psychological Indeterminism and Determinism

science, man used to think himself a free agent possessing free will. Science gives us, instead, causal determinism wherein every...

Assimilation of History's Lessons with Thatcherism

In nine pages theoretical comparisons are made between Look Back in Anger, a play by John Osborne, Anthony Burgess' A Clockwork Or...

Mise-En Scene in Three Films

Thompson 115). The number of possible angles is infinite since there are an infinite number of points in space that the camera can...