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Essays 571 - 600

Land and Blood Wars of Bolingbroke in William Shakespeare's Richard II

In a paper consisting of five pages the ways in which Shakespeare employed the dual land and blood motifs in his historical play i...

Love and Death Imagery in William Shakespeare's Romeo and Juliet

In eight pages this paper discusses the images of love and death that reinforce the tragic inevitability of Romeo and Juliet. Six...

Nurse Characterization in William Shakespeare's Romeo and Juliet

In five pages a character analysis of the Nurse and her role in the play are examined....

Deaths of Cleopatra and Juliet in William Shakespeare's Antony and Cleopatra and Romeo and Juliet

In eight pages the deaths of these female characters are contrasted and compared. Six sources are cited in the bibliography....

Analysis of William Shakespeare's Henry IV Speeches I.ii.185-192-I.ii.1-9

In five pages this paper presents an analysis of King Henry and Prince Hal's speeches in terms of tone and metaphor in a contrast ...

Choosing a Mate in William Shakespeare's Romeo and Juliet and Taming of the Shrew

In eight pages this paper examines the process of marital selection that is featured in these 2 plays by William Shakespeare. Fiv...

Dramatic Irony in William Shakespeare's Much Ado About Nothing and The Taming of the Shrew

In three pages this paper analyzes how Shakespeare employed dramatic irony in these 2 plays. There are no other sources listed....

Characterization and Effect in William Shakespeare's Twelfth Night

everybody. Laughter in this play has a healing effect. Revenge is achieved not by fighting (not by serious fighting, anyw...

William Shakespeare's The Tempest and Relationships Between Master and Slave

In three pages Shakespeare's final play is analyzed in terms of the relationships between master and slave it features. Five sour...

William Shakespeare's Timon of Athens and Disillusionment

This paper consists of eight pages and discusses how the theme of disillusionment is represented in this Shakespearean play. Five...

Orchestral, Opera, and Dance Versions of William Shakespeare's Romeo and Juliet

tragedy and more of an exploration of childhood, innocence and youthful passion. In the course of pursuing their relationship, and...

Psychological Victimization of William Shakespeare's Protagonist in Macbeth

In five pages this paper examines how the witches and Lady Macbeth psychologically victimize Macbeth in this analysis of Shakespea...

Organized Crime Syndicates and Commercial Burglaries

but commercial burglaries are up (Star Tribune 02B). For many reasons, burglars find commercial establishments a better target th...

Lower Social Classes in William Shakespeare's Julius Caesar and A Midsummer Night's Dream

In eight pages this paper analyzes the plebeians featured in Julius Caesar and the rude mechanicals in A Midsummer Night's Dream i...

Conflicts Rooted in Anger in William Shakespeare's Tragedies King Lear, Hamlet, and Othello

In three pages the emotional conflicts that are based in anger are examined in terms of the protagonists behavior' and the importa...

William Shakespeare's Use of Sexuality in the Plays Antony and Cleopatra, Hamlet, and Othello

In twelve pages this paper examines how sexuality is thematically portrayed in these plays in terms of obsession, interracial love...

Russ McDonald's 'Presentational Theater' and William Shakespeare's Coriolanus, Hamlet, and Othello

This paper consists of five pages in which Russ McDonald's 'presentational theater' theory is used to analyze illustrations from S...

Identity in William Shakespeare's Measure for Measure and Hamlet

In five pages this paper examines the power of identity in the similarities and differences that exist among characters Mariana in...

Analysis of William Shakespeare's Romeo and Juliet, Hamlet, and Sophocles' Oedipus

In six pages this research paper contrasts and compares these works by Shakespeare and Sophocles in terms of tragic themes and iro...

William Shakespeare's Hamlet, and Queen Gertrude Following Act III, Scene ii

in bed" (III.ii.206-209), then following-up with the equally matter of fact declaration, "If, once a widow, ever I be wife!" (III....

Comparing Laurence Olivier's 1948 Film 'Hamlet' with William Shakespeare's Play

subject which had been taboo in Shakespeares time - with Ophelia), betrayal (Queen Gertrudes incestuous marriage to her brother-in...

Rewriting History with William Shakespeare's 'Richard the Third'

who stood in his path to the English throne, was so memorable that his work of fiction has become accepted as historical fact. Ho...

Drama of William Shakespeare's Othello

verbal appearance and actual reality that Othello addresses throughout the play, wavering back and forth as a means by which to es...

Love in William Shakespeare's Romeo and Juliet A Campbell Analysis

Romeo simply stopped at this infatuation then the tale would not have been so tragic. Romeo gets to know Juliet, and the friar aid...

Beatrice and Hero in William Shakespeare's Much Ado About Nothing

love for her. It 8s also worth noting, that despite the clear and eloquent words, t no point in the pay do we see Hero and Claudio...

Article Review on Reasons Why the US is Not Liked by Many Parts of the World

the 1890s, but both accomplishments represented the results of a century of growing economic might" (Development of the United Sta...

William Shakespeare's As You Like It and Aphra Behn's Rover

but she keeps her emotions in check so that she can carry off her masquerade as a man. When Rosalind confronts the Dukes accusat...

William Shakespeare's First Folio

Tale, and The Tempest, Julius Caesar, Macbeth, Antony and Cleopatra, Coriolanus, As You Like It and Twelfth Night(West 180, see al...

Katherine and Henry in William Shakespeare's Henry V

power was not necessarily through the might of his military, but from the popularity of a kings subjects. In Henry V, ther...

Comparative Analysis of Krogstad in Henrik Ibsen's A Doll's House and Iago in William Shakespeare's Othello

shall my purpose work on him" (Shakespeare I iii). From there on out we begin to realize that we, as the audience, are the only on...