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William Shakespeare's Hamlet and Film Adaptations by Directors Laurence Olivier and Kenneth Branagh

should take place in the nineteenth century, a time characterized by scandalous behavior, which he believed would make 400-year-ol...

William Shakespeare's Sonnet Fifteen

This paper paraphrases Sonnet 15 by William Shakespeare in five pages in an analysis that includes argumentative quatrain point an...

William Shakespeare's Sonnets 'Let Me Not to the Marriage of True Minds' and 'My Mistress' Eyes'

In three pages these sonnets are examined in an analysis of such criteria as tone, verse, symbolism, and theme. There is no bibli...

Comparative Analysis of the Film Versions of William Shakespeare's Hamlet

In eight pages this paper contrasts and compares Laurence Olivier's 1948 Hamlet adaptation with Franco Zeffirelli's 1990 interpret...

William Shakespeare's The Merchant of Venice and the Concepts of Justice and Law

In five pages this paper discusses how the concepts of law and justice are featured in the play's famous courtroom scene. There a...

Overview of William Shakespeare's Much Ado About Nothing

In nine pages this Shakespeare comedy is analyzed in terms of its meaning, structure, theme, plot, and colloquial prose usage. Se...

General Analysis of William Shakespeare's 'MacBeth'

The powerful themes of temptation, guilt, heresy, and prophecy as they lend to the play's overall effectiveness are considered in ...

Act 2, Scene 4 of William Shakespeare's 'Measure For Measure'

Isabella's soliloquy directed to Angelo is the focus of this 3 page paper to determine its thematic relevance. There are no addit...

William Shakespeare's King Lear and the Disguise Motif

In five pages this paper examines Shakespeare's use of the disguise motif and how deception and disguises manifest themselves in b...

Soliloquy of Goneril in William Shakespeare's King Lear

In four pages this paper discusses Goneril's justification for the hardships she inflicted upon her father, sisters, and husband i...

Setting the Stage for Imagery and Violence in William Shakespeare's Macbeth

In six pages this paper examines how the stage for violence is set through imagery in this tragic play by William Shakespeare in a...

Good v. Evil Theme in William Shakespeare's Macbeth

In six pages this paper examines the thematic conflict of good versus evil as it manifests itself in this tragic play by William S...

Women in William Shakespeare's Richard III

This paper consists of eight pages and considers how Shakespeare treated women in his political plays with the emphasis being upon...

Land and Blood Wars of Bolingbroke in William Shakespeare's Richard II

In a paper consisting of five pages the ways in which Shakespeare employed the dual land and blood motifs in his historical play i...

Love and Death Imagery in William Shakespeare's Romeo and Juliet

In eight pages this paper discusses the images of love and death that reinforce the tragic inevitability of Romeo and Juliet. Six...

Nurse Characterization in William Shakespeare's Romeo and Juliet

In five pages a character analysis of the Nurse and her role in the play are examined....

Closely Reading Ophelia's 'Mad' Songs in William Shakespeare's Hamlet Act IV, Scene V

where hours were spent singing songs and learning nursery rhymes. When Gertrude inquires as to how she is doing, Ophelia sings, "...

William Shakespeare's A Midsummer Night's Dream and the Supernatural

supernatural. Even before the humans enter the forest, and Oberon and Titania become involved in playing tricks on the humans thro...

Elizabethan Society, Women's Role and Portia in William Shakespeare's The Merchant of Venice

equal pound / Of your fair flesh, to be cut off and taken / In what part of your body pleaseth me" (I, iii, 148-150). Antonio agre...

William Shakespeare's Macbeth and the Use of Blood Imagery

soldier, but hes also immediately associated in our minds with the spilling of blood. But blood also means the blood connection b...

William Shakespeare's The Tempest and King Lear and Sibling Rivalry

"too short" (Shakespeare I i). She tells him "I am alone felicitate/ In your dear highness love" (Shakespeare I i). In this we see...

Tragedy of William Shakespeare's Hamlet

In four pages this paper examines Aristotle's definition of tragedy and its criteria in a consideration of Hamlet and how the play...

Ghosts of William Shakespeare's Hamlet and Elizabethan Superstition

Elizabethan superstition with regard to ghosts helps to fuel the supernatural inferences in Shakespeares Hamlet, because the two e...

Hearing is Believing in William Shakespeare's Hamlet

In five pages this paper examines the emphasis upon 'ear' and 'hearing' in the play and how this impacts Hamlet's encounter with t...

William Shakespeare's Hamlet and the Crisis of Identity

In five pages this paper discusses Prince Hamlet's identity search within the course of Shakespeare's play. There are no other so...

Gertrude in William Shakespeare's Hamlet III

In four pages this essay analyzes the character of Queen Gertrude and argues that her state of denial is responsible for her actio...

William Shakespeare's Hamlet and the Mental Changes Ophelia Undergoes

In ten pages this paper discusses Ophelia's deteriorating mental condition as she slowly inches towards madness. There is the inc...

Dramatic Structure in William Shakespeare's Hamlet

five-act pattern. The setup creates the plays "world", introduces us to the characters, and lays the groundwork for some of the c...

Soliloquy Analysis of 'To Be or Not to Be' in William Shakespeare's Hamlet

Ophelia in the process. The burden of these struggles is more than the emotionally fragile prince can bear, and when he utters th...

Prince Hamlet as the William Shakespeare's Renaissance Man

In four pages this paper demonstrates how Shakespeare's humanist concepts transformed Prince Hamlet into the ultimate Renaissance ...