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Essays 91 - 120

The Aristotelian Tragedy of Othello

soldiers, and Iago responds that he too is upset with Othello for promoting another soldier, Cassio, over Iago, despite Iagos havi...

Themes of Betrayal and Friendship in 'Othello' and 'Hamlet'

In a research paper that consists of 5 pages, these themes are defined and then throughout the course of the paper they are furthe...

Female Characters in William Shakespeare's Othello and Hamlet

In each, their gestures of submission paradoxically enable the expression of desire. This shows female characters that inhabit th...

Conflicts Rooted in Anger in William Shakespeare's Tragedies King Lear, Hamlet, and Othello

In three pages the emotional conflicts that are based in anger are examined in terms of the protagonists behavior' and the importa...

William Shakespeare's Use of Sexuality in the Plays Antony and Cleopatra, Hamlet, and Othello

In twelve pages this paper examines how sexuality is thematically portrayed in these plays in terms of obsession, interracial love...

William Shakespeare Plays Romeo and Juliet, Othello, Hamlet, and Journeys

In five pages the heroic journeys presented in each of these plays by William Shakespeare are analyzed in terms of their significa...

Themes and Dramatic Structures in Othello, Hamlet, and King Lear by William Shakespeare

In five pages the relationships between dramatic structures and themes as they exist within these three plays by William Shakespea...

William Shakespeare's King Lear, Othello, and Hamlet in Terms of Themes and Dramatic Structures

In five pages the dramatic structures and themes are compared in this examination of a trio of William Shakespeare's plays. Two s...

Tragic Love in William Shakespeare's Hamlet, Othello, and Romeo and Juliet

about Rosaline. Romeo falls in love at first sight with Juliet. The two are very young. Some would suggest that this type of lo...

Iago and Claudius as Villains in Othello and Hamlet by William Shakespeare

In 7 pages this paper analyzes the evil represented by villains Iago and Claudius in these Shakespearean plays. There are 3 sourc...

Female Protagonist Effectivenss in Oranges Are Not Only Fruit by Jeanette Winterson and Beloved by Toni Morrison

from secondary characters to protagonists who were considered universal or genderless to those who were females yet were strong an...

Theme of Deception in William Shakespeare's Othello and Hamlet

also clear that Shakespeare is not writing the play from the perspective that it is about the problems of interracial marriage. I...

Revenge and Doubt in William Shakespeare's Othello and Hamlet

and situations in black and white terms. Therefore, he is less tolerant of sin and more judgmental then his Danish counterpart. Wh...

Film and TV Adaptations of King Lear, Hamlet, and Othello

of Hamlets famous soliloquies, except for the ones which heightened dramatic impact, such as "To Be or Not to Be." He shrewdly ch...

Female Protagonists' Bondage of James Bond

is Elektra King, unlike many of Bonds female enemies she is a rich young woman who has not become part of communist assassination ...

Gregor Samsa's Changes in Franz Kafka's The Metamorphosis

concerned that he cant get up and go to work to support his family. Even from the start, he does not want to be a burden on his fa...

Protagonists' Waiting in Waiting for Godot

up life. Most people will not do this, although there are some who are willing. Some of the kamikaze pilots who crashed into build...

Protagonist's Ruin in Macbeth by William Shakespeare

whetted it for a more impressive title. It was a seemingly innocuous meeting with a trio of witches that would sow the seeds of M...

Protagonist's Insanity in 'A Rose for Emily' by William Faulkner

It is clear early-on that it was common knowledge in the town that Emilys father was abusive -- if not physically, then certain m...

Protagonist's Fate in 'The Rocking Horse Winner' by D.H. Lawrence

they are poor because they have no luck. Paul, being a small child, thinks that luck is a tangible object to be found, obtained or...

Gregor Samsa Must Transform Into a Beetle in Franz Kafka's Metamorphosis

the past into the present in support of a future. Sigmund Freud believed that only by freeing repressed happiness, can an individu...

Krakauer's Into the Wild and London's To Build a Fire

to civilisation? Probably not. We can, therefore, only speculate as to whether or not McChandless might have seen his death as mer...

Nonconformist, Society, and Huckleberry Finn by Mark Twain

reactions and evolution are rooted in the desire for individuality, which represents to Huck Finn and to Mark Twain, saying and do...

Act One of William Shakespeare's Macbeth and the Development of the Protagonist's Character

(I.iii.118). Banquo replies with a warning. He tells Macbeth that "instruments of darkness" frequently tell the truth in order to ...

Conforming By Way of Nonconformity in 'Bartleby, the Scrivener' by Herman Melville

In five pages the ways in which Melville's short story protagonist can only conform to social demands through nonconformity and no...

'The Company of Wolves' by Angela Carter, 'The Swimmer' by John Cheever, and Short Story Journeys

In six pages the deceptiveness of appearances is examined in a consideration of the journeys each of these short story protagonist...

Emily Grierson in William Faulkner's 'A Rose for Emily' and Phoenix Jackson in Eudora Welty's 'A Worn Path'

did not try to respect her or help her, indicating they merely thought she was odd. No one bothered to try to understand her neces...

Protagonist's Fear as a Motivation in The Red Badge of Courage by Stephen Crane

In 5 pages this paper discusses how the fear of the protagonist is employed to motivate his reactions in an analysis of this novel...

Narrator and Protagonist's Relationship in 'Bartleby the Scrivener' by Herman Melville

In three pages Bartleby and the narrator's relationship are examined within the context of this Herman Melville short story. Ther...

Tragic Personality of Hedda Gabler by Henrik Ibsen

of this play, we find Ibsens comments for what he called his "modern-day tragedy," He says, "There are two kinds of moral law, tw...