YOU WERE LOOKING FOR :Richard III Cinematic Adaptation by Laurence Olivier
Essays 1 - 30
In six pages Olivier's interpretation of Richard and the importance of the 5 soliloquies to the film are discussed. There are no ...
subject which had been taboo in Shakespeares time - with Ophelia), betrayal (Queen Gertrudes incestuous marriage to her brother-in...
In six pages this paper contrasts and compares these 1948 and 1996 film interpretations of William Shakespeare's tragedy with the ...
should take place in the nineteenth century, a time characterized by scandalous behavior, which he believed would make 400-year-ol...
In a paper consisting of five pages Olivier's TV interpretation of Shakespeare's play is compared and contrasted with the original...
In eight pages this paper contrasts and compares Laurence Olivier's 1948 Hamlet adaptation with Franco Zeffirelli's 1990 interpret...
own terms, as an interpretation for a modern mass audience of a compelling story that gives shape to some of the deepest-rooted hu...
most notably, but not really missed, were Queen Margaret, and Edward IV. Some of the lengthy dialogue was taken out without detrac...
In a paper consisting of seen pages the 1955 film version of Richard III by Laurence Olivier is compared with Ian McKellan's versi...
identity. It is interesting to note that as he pulls on his "cloak of madness" that his true intellect becomes completely clouded ...
In five pages this paper presents a psychological analysis of Shakespeare's evil protagonist Richard III....
he appears sincere and supportive, such as when Richard asks what one has said of him, and Buckingham replies "Nothing that I resp...
and expression than film where the camera is able to capture the most subtle suggestions of emotion through the use of a close -up...
for the deaths of her husband, Edward V, and her father, Henry VI. Nevertheless, he demonstrates himself as quite capable in prov...
In five pages this paper discusses how love is presented through the perceptions of Richard III in William Shakespeare's historica...
In six pages this paper examines how evil is portrayed in this cinematic interpretation of William Shakespeare's 'Richard III' wit...
Analysis of William Shakespeare's Hamlet (Act V, Scene ii), As You Like It (Act II, Scene vii), Richard III (Act I, Scene ii), The...
The caricature representation of Richard in both film and play is discussed in ten pages. Nine sources are cited in the bibliograp...
and one in blood establishd; One that made means to come by what he hath, And slaughterd those that were the means to help him; Ab...
This 9 page paper examines the way in which three different directors approach Shakespeare. It looks at Kenneth Branagh's producti...
of Hamlets famous soliloquies, except for the ones which heightened dramatic impact, such as "To Be or Not to Be." He shrewdly ch...
for the rest of the world, There will never, never be another Laurence Olivier" (69). The article goes on to report that at the "s...
In seven pages this paper assesses the actions and character of Richard III in this consideration of how his reputation has been h...
offer some different scenes, though ultimately only about one quarter of Shakespeares Richard III is actually presented in the fil...
the latest fashions, spending money on his friends, and also pursuing wars against Ireland and elsewhere that his realm cannot af...
regarded as the "polite" or "formal" form of the second person (Garvey 12). The familiar use of "thou" is best illustrated throu...
idle pleasures of these days. / Plots have I laid, inductions dangerous" (Shakespeare I i). In Othello Iago tells us, "And whats h...
and is killed. Henry then becomes King Henry VII. Richard is "not a good man who, when tempted falls, and who, when fallen, hopes...
In a paper of three pages, the writer looks at the cost of power in Shakespeare's tragedies. Richard III, As You Like It, and the ...
a place" (I.ii.146). And she answers, "Never hung poison on a fouler toad. Out of my sight, thou dost infect mine eyes!" (I.ii.147...