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Essays 61 - 90

Janet St. Clair's Essay on Whiteness and Jim in Seraph on the Suwanee by Zora Neale Hurston

Ini nine pages this paper applies Janet St. Clair's essay to the 'whiteness' of the character Jim in this analysis of Seraph on th...

Social Phobias Development

In ten pages a research proposal overview upon the effects of self monitoring and self esteem in social phobia development is pres...

'African Time' in Their Eyes Were Watching God by Zora Neale Hurston

Clack or 'African time' is conceptually defined within the context of Their Eyes Were Watching God by Zora Neale Hurston in a pape...

Dust Tracks on a Road Autobiography by Zora Neale Hurston

home at an early age. Hurston described this period of her life as "a series of wanderings." She did occasional work as a wardrobe...

Sexuality in Seraph on the Suwanee by Zora Neale Hurston

This paper examines the sexuality featured in this 1948 final novel by Zora Neale Hurston in five pages. Five sources are cited i...

Black and White Worlds of Zora Neale Hurston

This paper examines how Zora Neale Hurston was able to coexist in both white and black literary circles in eight pages. Eight sou...

Token Whites in the Works of Zora Neale Hurston

begin to take on the vestiges of their prior identity to African-Americans. They were the providers of work, that work being very...

Zora Neale Hurston and Henrik Ibsen on the Individual and Society

In five pages this paper examines the relationship between society and the individual as represented by the female protagonists of...

Langston Hughes, Zora Neale Hurston, and the Blues of the African-American Experience

a subtle reminder particularly to African-American women of how far they had come as a race and how much further they needed to go...

Zora Neale Hurston and Toni Morrison and the Use of Linguistics

under the chinaberry tree until its over: "... while inside she knew the cold river was creeping up and up to extinguish that eye ...

Good and Evil in 'Sweat' by Zora Neale Hurston

husband who appears suddenly, as a snake it seems, which is represented by the whip he scares her with. In this we can symbolicall...

Literature and Issues of Gender and Race

how Over three thousand die in the Macondo massacre, and the only surviving witnesses are Jose Arcadio Segundo and a small child. ...

Zora Neale Hurston and the Fiction She Inspired

card ready, as this seemed to impress people and verify that, yes, an African American could be a public accountant. Mentally, Ann...

Literature and Domestic Abuse

boy dizzy; But I hung on like death: Such waltzing was not easy(Roethke). This is...

Nature Imagery in the Works of Zora Neale Hurston and William Wordsworth

are not representative of nature and he finds refreshment and nourishment in his memories, and now in his seeing nature again. ...

Snake Symbolism in 'Sweat' by Zora Neale Hurston

her we see this as representative of the Devil, but the Devil will, as Delia suggested, is going to make sure Sykes got what was c...

Literary Portrayals of Blacks in Works by Eldridge Cleaver, Amiri Baraka, and Zora Neale Hurston

it up" (Hurston). By focusing on poor urban blacks instead of writing about the African-American doctors, dentists, and lawyers, ...

Hurston's Feminist Influence for Alice Walker

This essay discusses the influence of Zora Neale Hurston in regards to Alice Walker's perspective on black oral tradition and femi...

'On Being Young - A Woman - and Colored' by Marita Bonner and 'How It Feels to Be Colored Me' by Zora Neale Hurston

what governs their overall behavior. Conspicuously absent in this story is the weak and fragile persona; instead, Hurstons ...

Hurston/Their Eyes Were Watching God

Killicks, an much older, but a very successful man. For Janies grandmother, freedom equates with having the financial security to ...

Marriages: Their Eyes Were Watching God

want him to do all de wantin" (Hurston 192). Her grandmother tells her something that seems specific to all arranged marriages whe...

How Women Are Treated in "Sweat" by Zora Neale Hurston

refusal to come to Sykes assistance after the snake bites him represents the decline in her spirituality, the sweat of her hard wo...

Delia Today An Analysis of Sweat by Zora Neale Hurston

The writer argues that this story is character driven, and that this means Delia’s actions would not change much no matter what ti...

Feminist Reading of Their Eyes Were Watching God by Zora Neale Hurston

that never completely heals. She was humiliated by her slave master, who raped her, impregnated her, and beaten by his wife who t...

Archetypes in Their Eyes Were Watching God by Zora Neale Hurston

Hurstons perspective of womanhood as a journey toward self discovery and ultimate independence. The student researching this top...

Their Eyes Were Watching God by Zora Neale Hurston and the Character of Janie Crawford

I believe that Hurston was attempting to expose the scope of the racism problem through the character of Janie, as well as the str...

Two Literary Views on the Rural South

full of material and that I could get it without hurt, harm or danger" (Mules 2). However folks "dont cotton to" Hurston as easil...

Dialect Significance in Their Eyes Were Watching God by Zora Neale Hurston

In twelve pages this research paper presents the argument that a greater appreciation of Hurston's classic novel can be acquired t...

A Comparison of Two Southern Literary Works by Agee and Hurston

This paper compares and contrasts the views of the rural south as seen in James Agee's Let Us Now Praise Famous Men, and Zora Neal...

American Social Evolution in the Writings of Zora Neale Hurston and William Faulkner

In eight pages this paper discusses how social evolution is represented in the characters of Janie Woods in Hurston's Their Eyes W...