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Essays 721 - 750

Villains in William Shakespeare’s Macbeth and Richard III

sensibilities: "The Prince of Cumberland! That is a step / On which I must fall down, or else oerleap, / For in my way it lies. S...

Shakespeare’s View of Father/Daughter Relationships

surprising that there is evidence in a number of Shakespeares plays that a female characters who is "self-aware" and "skillful" is...

Metamorphosis of Change in William Shakespeare’s Macbeth

me in the day of success, and I have learned by the perfectest report they have more in them than mortal knowledge. When I burned ...

William Shakespeare's Richard the Third and Its Cinematic Interpretations

brought his version of the play forward 500 years into the 1930s. Both McKellen and director Richard Loncraine felt that Richard ...

Injustice and Vengeance in William Shakespeare's The Tempest and Euripides' Electra

story of Agamemnon we are presented with a man who sacrifices his daughter, at the request or command, of the gods, in order that ...

William Shakespeare's Characters Macduff and Macbeth

Macbeth says only "We will speak further" (I, v, 71). The next time we see Macbeth he has a long soliloquy in which he enumerates...

Persuasiveness of Iago in William Shakespeare's Othello

lines of the opening curtain, Roderigo says "Thou toldst me thou didst hold him in thy hate" (I, i, 7), to which Iago replies, "De...

Closely Reading Ophelia's 'Mad' Songs in William Shakespeare's Hamlet Act IV, Scene V

where hours were spent singing songs and learning nursery rhymes. When Gertrude inquires as to how she is doing, Ophelia sings, "...

William Shakespeare's A Midsummer Night's Dream and the Supernatural

supernatural. Even before the humans enter the forest, and Oberon and Titania become involved in playing tricks on the humans thro...

William Shakespeare's King Henry V and Hamlet Directed by Sir Laurence Olivier

for the rest of the world, There will never, never be another Laurence Olivier" (69). The article goes on to report that at the "s...

Bassiano in Shakespeare's 'The Merchant of Venice' from a Freudian Perspective

Id is associated with the immediate gratification of the unconscious. In other words this level is the most primal and does not co...

Choice or Fate in William Shakespeare's Macbeth

say, shows that how each man reacted to this situation was a matter of choice -- not fate. Traditionally, much of the blame for ...

Katherine and Henry in William Shakespeare's Henry V

power was not necessarily through the might of his military, but from the popularity of a kings subjects. In Henry V, ther...

Character Noting in William Shakespeare's Much Ado About Nothing

Likewise, Beatrice vows that she will never marry. However, the audience can see from the beginning that there is an attraction be...

Justice, Murderers, Susan Glaspell's Trifles and William Shakespeare's Hamlet

When Hamlet returns home, he is greeted with what he is convinced is his fathers ghost. After identifying himself, the ghost prom...

Desdemona and the 'Jewel' Motif Recurrence in William Shakespeare's Othello

forthright and courageous. Coupled with these admirable characteristics, Desdemona also harbors a significant moral sensitivity a...

Romantic Love Psychology and William Shakespeare's Much Ado About Nothing

humble thanks: but that I will have a recheat winded in my forehead, or hang my bugle in an invisible baldrick, all women shall pa...

Four Questions on William Shakespeare's Hamlet

true circumstances of her first husbands death, and the exact nature of her guilt. There does not appear to be much in the play th...

Comparison of John Webster's The Duchess of Malfi and William Shakespeare's Twelfth Night

pining away because of his unrequited love for Olivia, who also has a potential suitor in Sir Andrew Aguecheek. Olivia wants no m...

William Shakespeare's Infamous Couple Lord and Lady Macbeth

indicates, Lady Macbeth provides the necessary motivation for the initial murder. She tells Macbeth that if she had sworn an oath ...

William Shakespeare's Hamlet and Geoffrey Chaucer's 'Wife of Bath' from Canterbury Tales

the witch may well have been incredibly deceptive and conniving in her involvement with the knight, and in this we can see the pre...

Poetic Comparison of William Shakespeare's 'Sonnet 127' and Sir Philip Sidney's 'Astrophil and Stella Sonnet 72'

In Sonnet 72, it becomes evident that the initial sexual flush is still very much in evidence, but the references to the distant h...

William Shakespeare's Romeo and Juliet and Religious Imagery

speech associates her with a shrine, a religious object, and then offers up his lips as pilgrims. Pilgrims often made journeys to ...

Suicide or Murder of Ophelia in William Shakespeare's Hamlet

the water by someone. As such her death is not an obvious murder. But, do we consider it murder if she was so distraught by the cr...

Figurative Language in Two of Shakespeare's Plays

a wound. / But, soft! what light through yonder window breaks? / It is the east, and Juliet is the sun. Arise, fair sun, and kill...

William Shakespeare's King Lear and its Christian Content

persecuted and killed for their faith. We also note that throughout the play Lear slowly develops into a man who understands hi...

Women's Roles in William Shakespeare's Taming of the Shrew

husbands duty to lead his wife toward proper behavior. Inherent in the relationship between God and humanity, which the marriage ...

William Shakespeare's Twelfth Night, Charles Dickens' A Christmas Carol, and Epiphanies

all of his lessons come into play and culminate to create a powerful epiphany. We note some of this in the following excerpt: "Spi...

William Shakespeare's 'Absent' Mothers in Six Plays

"What, will you not suffer me? Nay, now I see / She is your treasure, she must have a husband; / I must dance bare-foot on her we...

Freudian Psychology in D.C. Thomas' The White Hotel and William Shakespeare's A Midsummer Night's Dream

interacting systems, the id, the ego, and the superego. The id is, according to Freud, the original system of the personality up...