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Essays 811 - 840

Overview of William Shakespeare's Much Ado About Nothing

In nine pages this Shakespeare comedy is analyzed in terms of its meaning, structure, theme, plot, and colloquial prose usage. Se...

Character Comparisons in William Shakespeare's Much Ado About Nothing II

becomes more and more obvious. Their words, which appear to be that demonstrating disdain, are words spouted by lovers who are con...

The Bumpy Course of True Love in Shakespeare's A Midsummer Night's Dream

In this paper consisting of five pages the star crossed lovers of Hermia and Lysander, Demetrius and Helena, and Hippolyta and The...

Love and Death Imagery in William Shakespeare's Romeo and Juliet

In eight pages this paper discusses the images of love and death that reinforce the tragic inevitability of Romeo and Juliet. Six...

Nurse Characterization in William Shakespeare's Romeo and Juliet

In five pages a character analysis of the Nurse and her role in the play are examined....

Women in William Shakespeare's Richard III

This paper consists of eight pages and considers how Shakespeare treated women in his political plays with the emphasis being upon...

William Shakespeare's Characters Edmund in King Lear and Iago in Othello

In three pages this essay compares these two Shakespearean villains in terms of their similarities and the lack of sympathy each e...

Land and Blood Wars of Bolingbroke in William Shakespeare's Richard II

In a paper consisting of five pages the ways in which Shakespeare employed the dual land and blood motifs in his historical play i...

Analysis of William Shakespeare's Richard the Second

In nine pages this paper analyzes the characters, theme, and plot of this historical play by William Shakespeare. Eight sources a...

William Shakespeare's The Merchant of Venice and the Concepts of Justice and Law

In five pages this paper discusses how the concepts of law and justice are featured in the play's famous courtroom scene. There a...

Othello's Disintegrating Spirit in William Shakespeare's Tragedy

In six pages this research paper on Othello by William Shakespeare focuses upon the protagonist's spiritual disintegration. Five ...

Deaths of Cleopatra and Juliet in William Shakespeare's Antony and Cleopatra and Romeo and Juliet

In eight pages the deaths of these female characters are contrasted and compared. Six sources are cited in the bibliography....

Love and William Shakespeare's Taming of the Shrew

In five pages this essay contrasts 2 of the speeches made by Katherina in the play in an analysis that argues Petruchio's abuse is...

William Shakespeare's Timon of Athens and Disillusionment

This paper consists of eight pages and discusses how the theme of disillusionment is represented in this Shakespearean play. Five...

Prospero's Treatment of Caliban and Ariel in William Shakespeare's The Tempest

In 5 pages the similarities and the differences between the ways in which Prospero treats servants Ariel and Caliban in The Tempes...

Analysis of William Shakespeare's Henry IV Speeches I.ii.185-192-I.ii.1-9

In five pages this paper presents an analysis of King Henry and Prince Hal's speeches in terms of tone and metaphor in a contrast ...

Character Relationships, William Shakespeare's A Midsummer Night's Dream and 'the Play Within the Play'

In six pages this paper examines the 'play within the play' involving the character relationships of famous Shakespearean couples ...

Choosing a Mate in William Shakespeare's Romeo and Juliet and Taming of the Shrew

In eight pages this paper examines the process of marital selection that is featured in these 2 plays by William Shakespeare. Fiv...

Characterization and Effect in William Shakespeare's Twelfth Night

everybody. Laughter in this play has a healing effect. Revenge is achieved not by fighting (not by serious fighting, anyw...

Conflicts Rooted in Anger in William Shakespeare's Tragedies King Lear, Hamlet, and Othello

In three pages the emotional conflicts that are based in anger are examined in terms of the protagonists behavior' and the importa...

William Shakespeare's Use of Sexuality in the Plays Antony and Cleopatra, Hamlet, and Othello

In twelve pages this paper examines how sexuality is thematically portrayed in these plays in terms of obsession, interracial love...

Dramatic Irony in William Shakespeare's Much Ado About Nothing and The Taming of the Shrew

In three pages this paper analyzes how Shakespeare employed dramatic irony in these 2 plays. There are no other sources listed....

Coercion and Liberation in William Shakespeare's All's Well That Ends Well and The Tempest

In six pages this paper discusses character pairs and how they work within the structure of these two plays by William Shakespeare...

Lower Social Classes in William Shakespeare's Julius Caesar and A Midsummer Night's Dream

In eight pages this paper analyzes the plebeians featured in Julius Caesar and the rude mechanicals in A Midsummer Night's Dream i...

Cinema and Military Technology

In five pages this paper discusses the portrayal of nuclear warfare as it has evolved in films including Braveheart, Godzilla, Dr...

The Element of Tragedy in Shakespeare's The Comedy of Errors

An analysis of the element of tragedy in this classic by William Shakespeare. Mistaken identity and familial relationships are de...

Shakespeare's Theme of Homoeroticism in a Trio of Plays

In twelve pages this paper examines how the theme of homoeroticism manifests itself in the Shakespearean plays Twelfth Night, As Y...

Identity in William Shakespeare's Measure for Measure and Hamlet

In five pages this paper examines the power of identity in the similarities and differences that exist among characters Mariana in...

Analysis of William Shakespeare's Romeo and Juliet, Hamlet, and Sophocles' Oedipus

In six pages this research paper contrasts and compares these works by Shakespeare and Sophocles in terms of tragic themes and iro...

William Shakespeare's The Tempest and King Lear and Sibling Rivalry

"too short" (Shakespeare I i). She tells him "I am alone felicitate/ In your dear highness love" (Shakespeare I i). In this we see...