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Essays 331 - 360

Titus’ Aaron and Othello’s Iago

thunders crack or lightning flash; Advanced above pale envys threatening reach...Then, Aaron, arm thy heart, and fit thy thoughts....

Comparing Film Versions of Twelfth Night

which is at the "heart of this piece, cannot stand such a strong dose of reality" (Brode 98). There is artificiality in abundanc...

Feminism in Shakespeare and Aristophanes

This paper examines various forms of feminism seen in two works by Shakespeare's, Midsummer Night's Dream, and Aristophanes', Lys...

Relationships in Richard II and Richard III by William Shakespeare

he appears sincere and supportive, such as when Richard asks what one has said of him, and Buckingham replies "Nothing that I resp...

William Shakespeare's The Tempest and Its Subplot

a sort of revenge, is quite humorous as the two individuals are seemingly confused and wary. There is humor in the fact that Calib...

William Shakespeare's Macbeth and Images of Night and Day

the characters and how they all go about trying to define the night and day while engaged in various activities. In the...

William Shakespeare's Macbeth and the Human Capacity for Evil

surely not do anything to hurry it along, stating, "If chance will have me king, why, chance may crown me, Without my stir" (Shaks...

Injustice and Vengeance in William Shakespeare's The Tempest and Euripides' Electra

story of Agamemnon we are presented with a man who sacrifices his daughter, at the request or command, of the gods, in order that ...

William Shakespeare's Characters Macduff and Macbeth

Macbeth says only "We will speak further" (I, v, 71). The next time we see Macbeth he has a long soliloquy in which he enumerates...

Persuasiveness of Iago in William Shakespeare's Othello

lines of the opening curtain, Roderigo says "Thou toldst me thou didst hold him in thy hate" (I, i, 7), to which Iago replies, "De...

Closely Reading Ophelia's 'Mad' Songs in William Shakespeare's Hamlet Act IV, Scene V

where hours were spent singing songs and learning nursery rhymes. When Gertrude inquires as to how she is doing, Ophelia sings, "...

William Shakespeare's A Midsummer Night's Dream and the Supernatural

supernatural. Even before the humans enter the forest, and Oberon and Titania become involved in playing tricks on the humans thro...

Justice, Murderers, Susan Glaspell's Trifles and William Shakespeare's Hamlet

When Hamlet returns home, he is greeted with what he is convinced is his fathers ghost. After identifying himself, the ghost prom...

Handkerchief Significance in William Shakespeare's Othello

good man, whom he has treated unjustly. Desdemona has, of course, been persuaded by Iago to defend Cassio, as he knows that this w...

Elizabethan Society, Women's Role and Portia in William Shakespeare's The Merchant of Venice

equal pound / Of your fair flesh, to be cut off and taken / In what part of your body pleaseth me" (I, iii, 148-150). Antonio agre...

William Shakespeare's A Midsummer Night's Dream and the Character of Puck as Protagonist

Oberon and make him smile/ When I a fat and bean-fed horse beguile,/ Neighing in likeness of a filly foal:/ And sometime lurk I in...

William Shakespeare's Richard the Third and Its Cinematic Interpretations

brought his version of the play forward 500 years into the 1930s. Both McKellen and director Richard Loncraine felt that Richard ...

William Shakespeare's Macbeth and the Use of Blood Imagery

soldier, but hes also immediately associated in our minds with the spilling of blood. But blood also means the blood connection b...

William Shakespeare's The Tempest and King Lear and Sibling Rivalry

"too short" (Shakespeare I i). She tells him "I am alone felicitate/ In your dear highness love" (Shakespeare I i). In this we see...

Patriarchy and William Shakespeare's Othello

In five pages this paper examines how the social patriarchy victimizes Othello and his bride Desdemona in an analysis of Othello b...

Critical Debates on William Shakespeare's Hamlet

addition, (and not atypical of the Bard) Hamlet has more than one focus. For example, unquestionably the Prince of Denmark is one...

Hamlet's Treatment of Women in William Shakespeare's Play

in the famous "closet scene," in which he accuses his mother of being a sexual predator, declaring, "In the rank sweat of an ensea...

William Shakespeare's The Merchant of Venice and the Character of Shylock

anti-semitism. Religious: The Christian church of the period inherited all the accumulated "demonization", which had occurred ar...

Sophocles' Oedipus Trilogy, William Shakespeare's The Tempest, and Violence

In five pages this paper compares and contrasts how violence is featured in these two works of classical literature. Three source...

William Shakespeare's Much Ado About Nothing, The Taming of the Shrew, and Women's Social Status

In eleven pages this paper discusses these plays by William Shakespeare in terms of the social status of women as depicted by the ...

William Shakespeare's Othello and the Character Iago

II, scene 1, lines 83-181, Shakespeare pictures an interlude in which Desdemona "beguile(s)" the time before Othellos arrival at C...

Governance Views in William Shakespeare's The Tempest and Sophocles' Antigone

were not performed. However, almost as soon as he has made this ruling - that Polyneices body should lay unburied - Creon is faced...

Fathers in William Shakespeare's The Taming of the Shrew and A Midsummer Night's Dream

love and regards them as intrusions between his will and his daughters future. He says that Lysander has Turnd her obedience, whic...

Racism in William Shakespeare's Othello

that is perverted by the subterfuge and overt evil of Iago. Examining the character of Iago is enlightening to anyone who has ever...

Tragic Hero's Journey in Arthur Miller's Death of a Salesman and William Shakespeare's King Lear

In five pages this paper examines how the tragic hero's journey is thematically portrayed in these plays. Three sources are cited...