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Essays 511 - 540

William Shakespeare's Othello and Its Pleasurable Aspects

actions, in terms of black and white, good and bad. It is axiomatic that people wish to see those they regard as "good" as incapab...

Comparing William Shakespeare's The Tempest and Richard III and Themes of Justice and Destiny

especially apparent when critically examining Shakespeares historical play, Richard III and his final work, the dark comedy, The T...

Comparative Analysis of Krogstad in Henrik Ibsen's A Doll's House and Iago in William Shakespeare's Othello

shall my purpose work on him" (Shakespeare I iii). From there on out we begin to realize that we, as the audience, are the only on...

Choice or Fate in William Shakespeare's Macbeth

say, shows that how each man reacted to this situation was a matter of choice -- not fate. Traditionally, much of the blame for ...

Katherine and Henry in William Shakespeare's Henry V

power was not necessarily through the might of his military, but from the popularity of a kings subjects. In Henry V, ther...

Act One, Scene Three of William Shakespeare's Othello

In six pages this pivotal scene and its impact on the characters as well as its tragic implications are analyzed. There are no ot...

William Shakespeare's Romeo and Juliet and the Roles of Aggression and Violence

In five pages this paper discusses how Shakespeare employed violence and aggression in this tragedy in a consideration of the role...

William Shakespeare's A Midsummer Night's Dream and Foolishness

In six pages the foolishness of characters Lysander, Hermia, Demetrius, Helena, Oberon, and Titania as presented by Shakespear are...

Desdemona in William Shakespeare's Othello

In five pages this paper presents the argument that Desdemona's love for the Moorish Othello expands romantic love to include fide...

Victorian Twist to William Shakespeare's A Midsummer Night Dream

In 6 pages this paper examines the validity of putting a Victorian Age twist on the telling of Shakespeare's Elizabethan comedy. ...

William Shakespeare's Richard the Third and the Use of Pronouns

regarded as the "polite" or "formal" form of the second person (Garvey 12). The familiar use of "thou" is best illustrated throu...

Motivation of Iago in William Shakespeare's Othello

onto that of an innocent man. This cleverly conceived plot is Iagos manner of psychologically fooling the one he is also deceivin...

William Shakespeare's Othello Cinematic Adaptations

box office. Welles was a product of his time and though he had tremendous creativity when it came to camera angles and budgets,...

Jealousy in William Shakespeare's Othello

In three pages this essay analyzes Othello in a consideration of jealousy's featured role in the characterizations of the protagon...

Desdemona’s Innocence of Any Wrongdoing in William Shakespeare’s Othello

flies. Though that his joy be joy, / Yet throw such changes of vexation ont / As it may lose some color" (I.i.69-75). When Senato...

Annotated Bibliography on William Shakespeare's Tweflth Night

Lamb, Mary Ellen. "Tracing a Heterosexual Erotics of Service in Twelfth Night and the Autobiographical Writings of Thomas Whythor...

William Shakespeare's Coriolanus

men pitted against one another. As a reader, and as an audience member, one does not have any sort of emotional attachment to any ...

Villains in William Shakespeare’s Macbeth and Richard III

sensibilities: "The Prince of Cumberland! That is a step / On which I must fall down, or else oerleap, / For in my way it lies. S...

Homosexuality and Friendships in William Shakespeare’s Twelfth Night

homoerotic desire" (114). Olivia and Maria embody this type of alliance. Maria is serving Olivia, literally and figuratively spe...

Metamorphosis of Change in William Shakespeare’s Macbeth

me in the day of success, and I have learned by the perfectest report they have more in them than mortal knowledge. When I burned ...

Titus’ Aaron and Othello’s Iago

thunders crack or lightning flash; Advanced above pale envys threatening reach...Then, Aaron, arm thy heart, and fit thy thoughts....

William Shakespeare's The Tempest and Its Subplot

a sort of revenge, is quite humorous as the two individuals are seemingly confused and wary. There is humor in the fact that Calib...

William Shakespeare's Macbeth and Images of Night and Day

the characters and how they all go about trying to define the night and day while engaged in various activities. In the...

William Shakespeare's Macbeth and the Use of Blood Imagery

soldier, but hes also immediately associated in our minds with the spilling of blood. But blood also means the blood connection b...

Persuasiveness of Iago in William Shakespeare's Othello

lines of the opening curtain, Roderigo says "Thou toldst me thou didst hold him in thy hate" (I, i, 7), to which Iago replies, "De...

William Shakespeare's A Midsummer Night's Dream and the Supernatural

supernatural. Even before the humans enter the forest, and Oberon and Titania become involved in playing tricks on the humans thro...

William Shakespeare's Richard the Third and Its Cinematic Interpretations

brought his version of the play forward 500 years into the 1930s. Both McKellen and director Richard Loncraine felt that Richard ...

William Shakespeare's Characters Macduff and Macbeth

Macbeth says only "We will speak further" (I, v, 71). The next time we see Macbeth he has a long soliloquy in which he enumerates...

Injustice and Vengeance in William Shakespeare's The Tempest and Euripides' Electra

story of Agamemnon we are presented with a man who sacrifices his daughter, at the request or command, of the gods, in order that ...

Elizabethan Society, Women's Role and Portia in William Shakespeare's The Merchant of Venice

equal pound / Of your fair flesh, to be cut off and taken / In what part of your body pleaseth me" (I, iii, 148-150). Antonio agre...