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Essays 61 - 90

Marriage in Ann Petry's The Street, Nella Larsen's Passing, and Zora Neale Hurston's Their Eyes Were Watching God

to delve into such concentrated and personal subjects as these, especially in front of strangers. However, Larsen recognized the ...

Representations of Community in Marge Piercy's He, She and It and Zora Neale Hurston's Their Eyes Were Watching God

In five pages the community representations in each of these works are contrasted and compared. There are no other sources used....

Using Vernacular to Reflect Self Image in Jean Toomer's Cane and Zora Neale Hurston's Their Eyes Were Watching God

In eleven pages this paper compares each author's uses of vernacular to reflect African American identity concept in their respect...

Comparative Analysis of Reservation Blues by Sherman Alexie and Their Eyes Were Watching God by Zora Neale Hurston

In five pages this paper contrasts and compares these two novels in an examination of their similarities and differences. There a...

Black English in Their Eyes Were Watching God by Zora Neale Hurston and The Salt Eaters by Toni Cade Bambara

you wants to. Dats just de same as me cause mah tongue is in mah friends mouf" (Hurston, 1999, p. 6). Reaching out through the i...

Character Comparative Analysis of Thurston's Their Eyes Were Watching God and Chekhov's The Darling

In 8 pages this paper contrasts and compares the characters of Janie and Olenka in these works by Hurston and Chekhov. Two source...

Anything We Love Can Be Saved A Writer's Activism by Alice Walker

In six pages Walker takes inspiration from Winnie Mandela and Zora Neale Hurston in presenting her own personal interpretation of ...

Quest for the Purpose of Life in 'Absalom, Absalom!' and 'Their Eyes Were Watching God'

overrule her inherent independence as a strong, black woman by telling Phoeby she can "tell em what Ah say if you wants to. Dats ...

Songs of the Black Experience

a distinctly more female approach, as it openly deals with gender issues and missing womanhood. The author, herself, once remarke...

Harlem Renaissance and Zora Neale Hurston

her age and a man that treats her badly. In many ways he enslaves her and she feels helpless to leave him. Finally, Janie shares t...

America and Being Black and Female

love and cherish them for who they are. But it does not happen in these stories, nor does it seem to be happening within the moder...

Ending Ambiguity in the Works of Zora Neale Hurston

who will stand on her own and no longer stand for physical abuse. Her husband, however, subconsciously knows that he has no pow...

Dust Tracks on a Road Autobiography by Zora Neale Hurston

home at an early age. Hurston described this period of her life as "a series of wanderings." She did occasional work as a wardrobe...

Sexuality in Seraph on the Suwanee by Zora Neale Hurston

This paper examines the sexuality featured in this 1948 final novel by Zora Neale Hurston in five pages. Five sources are cited i...

Black and White Worlds of Zora Neale Hurston

This paper examines how Zora Neale Hurston was able to coexist in both white and black literary circles in eight pages. Eight sou...

Token Whites in the Works of Zora Neale Hurston

begin to take on the vestiges of their prior identity to African-Americans. They were the providers of work, that work being very...

Black Feminism in 'How It Feels to Be Colored Me' and 'Sweat' by Zora Neale Hurston

feminism, and on the realities of women in general. Some of those statements are presented in her 1926 short story "Sweat" and he...

Comparing Zora Neale Hurston and Langston Hughes

In five pages this research paper compares and contrasts Zora Neale Hurston and Langston Hughes whose works flourished during the ...

Janet St. Clair's Essay on Whiteness and Jim in Seraph on the Suwanee by Zora Neale Hurston

Ini nine pages this paper applies Janet St. Clair's essay to the 'whiteness' of the character Jim in this analysis of Seraph on th...

Zora Neale Hurston's Writings and Voodoo as Culture, Myth, and Religion

Voodoo is the focus of this paper consisting of eleven pages and considers how it is depicted in Zora Neale Hurston's writings and...

Zora Neale Hurston's Autobiography Dust Tracks on a Road

This research paper critically reevaluates Zora Neale Hurston's autobiography Dust Tracks on a Road originally published in 1942 i...

Mules and Men by Zora Neale Hurston and Folklore

In seven pages this consideration of Mules and Men by Zora Neale Hurston analyzes how folklore functions. Three sources are cited...

Literature and Dual African American Worlds

Me" Hurston writes, "I remember the very day I became colored...But I am not tragically colored. Someone is always at my elbow rem...

Defiance in 'Sweat' by Zora Neale Hurston

and the house that she purchased with sweat and labor. However, Delia makes it clear that she will not be driven out. She tells hi...

Good and Evil in 'Sweat' by Zora Neale Hurston

husband who appears suddenly, as a snake it seems, which is represented by the whip he scares her with. In this we can symbolicall...

Characters Freeing Themselves from Oppression in the Works of Zora Neale Hurston

the house, knowing it will frighten his wife. In fact, in the first scene of the story, Sykes sneaks up on Delia and tosses his b...

Humans and Nature

essay that illustrates her story about being African American is not every African Americans story and in truth it is quite differ...

Religious Symbolism in Hurston’s “Sweat”

cultures," and is always a figure of evil (Champion). Delia is busy working, when she is frightened out of her wits: "Just then so...

Langston Hughes, Zora Neale Hurston, and the Blues of the African-American Experience

a subtle reminder particularly to African-American women of how far they had come as a race and how much further they needed to go...

Snake Symbolism in 'Sweat' by Zora Neale Hurston

her we see this as representative of the Devil, but the Devil will, as Delia suggested, is going to make sure Sykes got what was c...