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Essays 31 - 60

Disguises in Twelfth Night by William Shakespeare

thou hast a mind that suits With this thy fair and outward character. I prithee, and Ill pay thee bounteously, Conceal me what I a...

Idealist, Realist Women, Shakespeare, Sheridan

This essay pertains to "The Comedy of Errors" (1594) and "Twelfth Night" (1601) by William Shakespeare and "The Rivals" (1775) by ...

Literary Application of Rene Descartes' Method

Goldings Lord of the Flies, for example, gives a view of civilised society which is by no means optimistic. He takes a group of ch...

Examining Shakespeare's Comedic Dream

In this we are set up with a very quiet and harmless love that is only waiting for consummation. It is a pleasant little scene tha...

Shakespeare's use of Clowns

one author, his "role in this Illyrian comedy is significant because Illyria is a country permeated with the spirit of the Feast o...

Shakespeare, Love, and Loyalty

In five pages this report examines the plays Love's Labor's Lost and A Midsummer Night's Dream in terms of William Shakespeare's d...

Comic Techniques in A Midsummer Night's Dream by William Shakespeare

from the tempest of my eyes" (I.i.132-133). Hermias friend, Helena, meanwhile, is in love with Demetrius, and recognizes that Her...

Shakespeare and Jonson and Elizabethan Clowns

This essay pertains to William Shakespeare's "A Midsummer Night's Dream" and Ben Jonson's "Every Man in His Humor," and how each p...

William Shakespeare's A Midsummer Night's Dream and Moon Symbolism

In five pages this paper discusses the significance of the moon symbolism in this analysis of William Shakespeare's comedy A Midsu...

Putting Sir Toby on Trial

an end to Tobys activities. Even Maria has warned Toby that the Lady Olivia is growing impatient with him: "Your cousin, my lady, ...

Social Expectations and Twelfth Night by William Shakespeare

also survived the wreck to conceal her true nature. Conceal me what I am, and be my aid for such disguise as haply shall become T...

Battle of the Sexes in “Midsummer Night’s Dream”

that Hermia wants to marry Lysander but that he has forbidden it and told her she must marry Demetrius (Shakespeare). Theseus unde...

Feste the Fool Characterization in Twelfth Night by William Shakespeare

the play, and enable him to comment on the actions and feelings of his fellow characters with some distance. He is not fully inte...

Twelfth Night and Cymbeline by William Shakespeare and the Employment of Psychological Realism

In six pages this paper explores how poetic language is used by Shakespeare in conveying psychological realism in these 1601 and 1...

Twelfth Night by William Shakespeare

through his demonstration of the comedic emptiness of the emotions of the characters in the play. Feste is a stage clown. With e...

Shakespeare Plays and Relationships

In five pages this report compares and contrasts William Shakespeare's Much Ado About Nothing and A Midsummer Night's Dream in ter...

Twelfth Night by William Shakespeare and the Fool Feste

but around him revolve some of the most significant issues of this extremely complex play. Feste, whom George Steiner calls "Shak...

'What is Man?' and William Shakespeare's King Lear

In four pages the question regarding the nature of man is examined within the context of William Shakespeare's King Lear....

Much Ado About Nothing by William Shakespeare and its 2 Couples

In five pages Benedick and Beatrice and Claudio and Hero are contrasted and compared in this analysis of William Shakespeare's Muc...

Character Relationships, William Shakespeare's A Midsummer Night's Dream and 'the Play Within the Play'

In six pages this paper examines the 'play within the play' involving the character relationships of famous Shakespearean couples ...

Lower Social Classes in William Shakespeare's Julius Caesar and A Midsummer Night's Dream

In eight pages this paper analyzes the plebeians featured in Julius Caesar and the rude mechanicals in A Midsummer Night's Dream i...

Romantic Comedy Conventions and William Shakespeare's A Midsummer Night's Dream

eye"(Shakespeare Act 1, sc. 1, line 140). Thus, this first criteria and/or convention has been met. Hermia wants Lysander, bu...

William Shakespeare's A Midsummer Night's Dream and the Character of Puck as Protagonist

Oberon and make him smile/ When I a fat and bean-fed horse beguile,/ Neighing in likeness of a filly foal:/ And sometime lurk I in...

William Shakespeare's A Midsummer Night's Dream and the Supernatural

supernatural. Even before the humans enter the forest, and Oberon and Titania become involved in playing tricks on the humans thro...

A Midsummer Night's Dream and William Shakespeare's Humorous Approach to Love

logic. The play consists of a quartet of couples - secondary characters King Oberon and Queen Titania, and Theseus and Hippolyta;...

Shakespeare’s “Merry War”: Gender Roles in “Twelfth Night” and “Much Ado about Nothing”

most famous lovers. The "merry war" referred to in the title is that which is waged by this pair; as Leonato says, "There is a kin...

Feminism in Shakespeare and Aristophanes

This paper examines various forms of feminism seen in two works by Shakespeare's, Midsummer Night's Dream, and Aristophanes', Lys...

Freudian Psychology in D.C. Thomas' The White Hotel and William Shakespeare's A Midsummer Night's Dream

interacting systems, the id, the ego, and the superego. The id is, according to Freud, the original system of the personality up...

William Shakespeare's A Midsummer Night's Dream, The Taming of the Shrew, and Fathers

appears to be Lucentio, but should he be unable to produce his father (which would verify his lineage and financial status), then ...

Fathers in William Shakespeare's The Taming of the Shrew and A Midsummer Night's Dream

love and regards them as intrusions between his will and his daughters future. He says that Lysander has Turnd her obedience, whic...