YOU WERE LOOKING FOR :Watergates Cinematic Interpretations
Essays 151 - 180
puzzle understand that they are nearly always involved in the penetration of a seemingly depthless surface of one person. However...
In ten pages these cinematic melodramas of the Forties are examined in a discussion of meaning construction through class and gend...
of capitalism, he looked for a medium which would best provide a creative outlet, as well as indulge in his interest in philosophy...
This paper examines the Fellini film, La Dolce Vita. The author discusses camera shots and angels, as well as design, decor, comp...
Experimental films are discussed in this research paper consisting of six pages with Lynch's feature debut the focus of considerat...
In three pages this paper discusses an epic in terms of characteristics and how thee are expressed in literature and on film in a ...
In twelve pages this paper considers the global cinematic dominance of the Hollywood studio system after the First World War. Nin...
sexually aggressive. In my own opinion, Mildred Pierce, Jezebel, The Postman Always Rings Twice-these were great tragedies about w...
This in-depth research paper puts forth the argument that the films of director Andrei Tarkovsky are best seen as cinematic poetry...
This paper addresses the growth of cinematic comedy. The author covers major works by Charlie Chaplin, The Three Stooges, Buster ...
In eight pages the roots of avant garde regarding film are argued to be in the visual arts as opposed to the narrative cinematic t...
In three pages this paper examines the filmmaker's various cinematic techniques and include elements such as utilizing teenage act...
In five pages this paper considers the film's parallels with Heart of Darkness by Joseph Conrad and also discusses influences of T...
Such cinematic techniques as mise-en-scene are discussed in a paper consisting of 6 pages as thematic and narrative expression are...
In a paper consisting of five pages the cinematic adaptations of Who's Afraid of Virginia Woolf, Much Ado About Nothing, and Sween...
Transylvanian aristocrat remained unchallenged for nearly twenty-seven years, and it was not until 1958, when the British actor Ch...
In five pages a cinematic analysis of Vittorio de Sica's 1948 film includes camera uses, production techniques and evaluates the e...
One of the most innovative movies in cinematic history is Orson Welles' Citizen Kane. This paper examines Welles' techniques and w...
In eight pages the changes that occurred in the horror cinematic genre between 1960 and 1996 are examined in a contrast and compar...
In five pages this paper discusses the cinematic style of nonnarrative abstract developed by Kenneth Anger, underground filmmaker....
In six pages this paper examines politics in the United States and how it is portrayed in the novel and cinematic versions of Prim...
are similar to Emilys. The characters discussed are Carrie, from the film "Carrie," Norman Bates from the film "Psycho," Eleanor f...
(Rombes). Rafferty (1997) explains that the postmodern film is built on the film noir genre, but that a feature of postmodernism ...
of tape and combines them to emphasize their meaning. It is a method by which through two unrelated shots we may create a third an...
of the classic noir characteristics, it also thumbed its nose at the use of flashbacks. There were no voice-over narrations, with ...
libidinal desire and an internal examination, which tends to idealize self (Naiman 333). The one factor which unites the two symb...
1956 account of Vincent Van Gogh leaves that question open in his sympathetic portrayal of the artist" (TCM, 2003). When watchi...
given a task to perform and in doing so derives some sort of personal meaning from it. He may meet with a great series of misfortu...
Indeed, by looking at the role of the women in the movie it is a reflection of the social conditions. There is a reflection of the...
woman. She has the ability to ruin peoples lives. This gives her a great deal of power and it corrupts absolutely. As Judge Danfor...