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Essays 151 - 180

Jean Luc Godard's Unconventional Cinematic Style

of capitalism, he looked for a medium which would best provide a creative outlet, as well as indulge in his interest in philosophy...

Worldwide Environment and American Film Performers

is particularly evident in the spread of American culture seemingly to the far corners of the globe (Eslake 61). On practically e...

Cinematic Classification of Documentaries, Comedies, and Dramas

expectations of the movies plot. The believability of characters is directly proportionate to the credibility of the plot. If a ...

Cinema and the Depiction of African Americans III

In eight pages this paper discusses the cinematic portrayal of African Americans with stereotype reliance a primary emphasis. Ele...

Twentieth Century Art of Cinema

In eight pages this report presents examines of twentieth century cinematic artistry. Four sources are cited in the bibliography....

Charlie Chaplin's Life and Cinematic Contributions

In thirty pages this paper discusses the controversial actor and director's life, cinematic contributions, politics, and the legac...

Novel and Cinematic Versions of A Passage to India by E.M. Forster

In four pages the novel and its film adaptation are thematically compared in terms of cinematic changes that were made. Six sourc...

Federico Fellini's Film, La Dolce Vita

This paper examines the Fellini film, La Dolce Vita. The author discusses camera shots and angels, as well as design, decor, comp...

Eraserhead Film by David Lynch

Experimental films are discussed in this research paper consisting of six pages with Lynch's feature debut the focus of considerat...

Comparative Analysis of the 'Poem of the Cid' Epic and Anthony Mann's 1961 Film El Cid

In three pages this paper discusses an epic in terms of characteristics and how thee are expressed in literature and on film in a ...

Post First World War Hollywood Studio Dominance

In twelve pages this paper considers the global cinematic dominance of the Hollywood studio system after the First World War. Nin...

Hollywood Cinema, False Depiction of Women and the Subtle Sexism

sexually aggressive. In my own opinion, Mildred Pierce, Jezebel, The Postman Always Rings Twice-these were great tragedies about w...

Andrei Tarkovsky's Cinematic Poetry

This in-depth research paper puts forth the argument that the films of director Andrei Tarkovsky are best seen as cinematic poetry...

Comedy in Cinema, From Charlie Chaplin To Woody Allen

This paper addresses the growth of cinematic comedy. The author covers major works by Charlie Chaplin, The Three Stooges, Buster ...

Roots of Avant Garde's Visual Arts

In eight pages the roots of avant garde regarding film are argued to be in the visual arts as opposed to the narrative cinematic t...

1968 Film Romeo and Juliet by Franco Zeffirelli

In three pages this paper examines the filmmaker's various cinematic techniques and include elements such as utilizing teenage act...

Apocolypse Now Film by Director Francis Ford Coppola

In five pages this paper considers the film's parallels with Heart of Darkness by Joseph Conrad and also discusses influences of T...

Stylistic and Formal Characteristics of Gus Van Sant's 'My Own Private Idaho'

Such cinematic techniques as mise-en-scene are discussed in a paper consisting of 6 pages as thematic and narrative expression are...

Cinema and Aristotelian Considerations

In a paper consisting of five pages the cinematic adaptations of Who's Afraid of Virginia Woolf, Much Ado About Nothing, and Sween...

Movies and How the Dracula Character Has Evolved

Transylvanian aristocrat remained unchallenged for nearly twenty-seven years, and it was not until 1958, when the British actor Ch...

Analysis of the Italian Realist Film The Bicycle Thief

In five pages a cinematic analysis of Vittorio de Sica's 1948 film includes camera uses, production techniques and evaluates the e...

Citizen Kane from a Critical Perspective

One of the most innovative movies in cinematic history is Orson Welles' Citizen Kane. This paper examines Welles' techniques and w...

Analysis of Scream and Psycho Horror Movies

In eight pages the changes that occurred in the horror cinematic genre between 1960 and 1996 are examined in a contrast and compar...

Hollywood Babylon of Filmmaker Kenneth Anger

In five pages this paper discusses the cinematic style of nonnarrative abstract developed by Kenneth Anger, underground filmmaker....

Politics in the Book and Film Primary Colors

In six pages this paper examines politics in the United States and how it is portrayed in the novel and cinematic versions of Prim...

William Faulkner's 'A Rose for Emily' and Other Examples of Eccentricity

are similar to Emilys. The characters discussed are Carrie, from the film "Carrie," Norman Bates from the film "Psycho," Eleanor f...

Director Quentin Tarantino and Postmodernism

(Rombes). Rafferty (1997) explains that the postmodern film is built on the film noir genre, but that a feature of postmodernism ...

1920s' Soviet Films and the Uses of Montage

of tape and combines them to emphasize their meaning. It is a method by which through two unrelated shots we may create a third an...

Howard Hawks' 1946 Film The Big Sleep

of the classic noir characteristics, it also thumbed its nose at the use of flashbacks. There were no voice-over narrations, with ...

David Fincher's The Fight Club

libidinal desire and an internal examination, which tends to idealize self (Naiman 333). The one factor which unites the two symb...