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Essays 631 - 660

Identity in William Shakespeare's Measure for Measure and Hamlet

In five pages this paper examines the power of identity in the similarities and differences that exist among characters Mariana in...

Analysis of William Shakespeare's Romeo and Juliet, Hamlet, and Sophocles' Oedipus

In six pages this research paper contrasts and compares these works by Shakespeare and Sophocles in terms of tragic themes and iro...

Russ McDonald's 'Presentational Theater' and William Shakespeare's Coriolanus, Hamlet, and Othello

This paper consists of five pages in which Russ McDonald's 'presentational theater' theory is used to analyze illustrations from S...

Coercion and Liberation in William Shakespeare's All's Well That Ends Well and The Tempest

In six pages this paper discusses character pairs and how they work within the structure of these two plays by William Shakespeare...

Lower Social Classes in William Shakespeare's Julius Caesar and A Midsummer Night's Dream

In eight pages this paper analyzes the plebeians featured in Julius Caesar and the rude mechanicals in A Midsummer Night's Dream i...

Conflicts Rooted in Anger in William Shakespeare's Tragedies King Lear, Hamlet, and Othello

In three pages the emotional conflicts that are based in anger are examined in terms of the protagonists behavior' and the importa...

William Shakespeare's Use of Sexuality in the Plays Antony and Cleopatra, Hamlet, and Othello

In twelve pages this paper examines how sexuality is thematically portrayed in these plays in terms of obsession, interracial love...

Choosing a Mate in William Shakespeare's Romeo and Juliet and Taming of the Shrew

In eight pages this paper examines the process of marital selection that is featured in these 2 plays by William Shakespeare. Fiv...

Dramatic Irony in William Shakespeare's Much Ado About Nothing and The Taming of the Shrew

In three pages this paper analyzes how Shakespeare employed dramatic irony in these 2 plays. There are no other sources listed....

Analysis of William Shakespeare's Henry IV Speeches I.ii.185-192-I.ii.1-9

In five pages this paper presents an analysis of King Henry and Prince Hal's speeches in terms of tone and metaphor in a contrast ...

Character Relationships, William Shakespeare's A Midsummer Night's Dream and 'the Play Within the Play'

In six pages this paper examines the 'play within the play' involving the character relationships of famous Shakespearean couples ...

William Shakespeare's Measure for Measure and Minor Characters

publish every wrongdoer to the full extent of the law, justice is not being served. Here, however, we know a secret about Angelo ...

William Shakespeare's Use of Evil in Richard III and Macbeth

In six pages this paper examines how Shakespeare timelessly depicts evil in each play. Six sources are cited in the bibliography....

Comparison of Medieval and Modern Views with William Shakespeare's Hamlet and Ben Jonson's Every Man

and turned" (Every Man - III, 2, pp. 48) and Hamlets "imagination" as he dwells on the experience of seeing his fathers ghost: "Th...

William Shakespeare's 'Romeo and Juliet' and Homosexuality

In ten pages this ppaer examines the homosexual thematic overtones that are evident both in Shakespeare's play as well as Franco Z...

Orchestral, Opera, and Dance Versions of William Shakespeare's Romeo and Juliet

tragedy and more of an exploration of childhood, innocence and youthful passion. In the course of pursuing their relationship, and...

Psychological Victimization of William Shakespeare's Protagonist in Macbeth

In five pages this paper examines how the witches and Lady Macbeth psychologically victimize Macbeth in this analysis of Shakespea...

Addressing the Dead in William Shakespeare's Hamlet

This paper consists of five pages and analyzes usage of the term dead and the concept of death within the context of Shakespeare's...

Witches and Their Control in William Shakespeare's Macbeth

This paper consists of five pages and presents the thesis that the witches control Macbeth and that they are responsible for the b...

William Shakespeare's A Midsummer Night's Dream and the Character of Puck as Protagonist

Oberon and make him smile/ When I a fat and bean-fed horse beguile,/ Neighing in likeness of a filly foal:/ And sometime lurk I in...

William Shakespeare's Macbeth and the Human Capacity for Evil

surely not do anything to hurry it along, stating, "If chance will have me king, why, chance may crown me, Without my stir" (Shaks...

Elizabethan Society, Women's Role and Portia in William Shakespeare's The Merchant of Venice

equal pound / Of your fair flesh, to be cut off and taken / In what part of your body pleaseth me" (I, iii, 148-150). Antonio agre...

William Shakespeare's The Tempest and King Lear and Sibling Rivalry

"too short" (Shakespeare I i). She tells him "I am alone felicitate/ In your dear highness love" (Shakespeare I i). In this we see...

William Shakespeare's Macbeth and Images of Night and Day

the characters and how they all go about trying to define the night and day while engaged in various activities. In the...

Delayed Revenge in William Shakespeare's Hamlet

be condemned if he were killed at prayer. This speaks not only to the strength of religious belief at the time, but to the depth o...

William Shakespeare's The Tempest and Its Subplot

a sort of revenge, is quite humorous as the two individuals are seemingly confused and wary. There is humor in the fact that Calib...

William Shakespeare's Macbeth and the Use of Blood Imagery

soldier, but hes also immediately associated in our minds with the spilling of blood. But blood also means the blood connection b...

Closely Reading Ophelia's 'Mad' Songs in William Shakespeare's Hamlet Act IV, Scene V

where hours were spent singing songs and learning nursery rhymes. When Gertrude inquires as to how she is doing, Ophelia sings, "...

William Shakespeare's A Midsummer Night's Dream and the Supernatural

supernatural. Even before the humans enter the forest, and Oberon and Titania become involved in playing tricks on the humans thro...

Persuasiveness of Iago in William Shakespeare's Othello

lines of the opening curtain, Roderigo says "Thou toldst me thou didst hold him in thy hate" (I, i, 7), to which Iago replies, "De...